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The lyric became the dominant mode of French poetry during this period. [23]: 15 For Walter Benjamin, Charles Baudelaire was the last example of lyric poetry "successful on a mass scale" in Europe. [24] In Russia, Aleksandr Pushkin exemplified a rise of lyric poetry during the 18th and early 19th centuries. [25]
The lyrical subject, lyrical speaker or lyrical I is the voice or person in charge of narrating the words of a poem or other lyrical work. [1] The lyrical subject is a conventional literary figure, historically associated with the author, although it is not necessarily the author who speaks for themselves in the subject.
The following are examples of lyricism: Architecture: The Nasir-ol-Molk Mosque may be seen as an example, as well as the Taj Mahal or the Sistine Chapel. Modern examples would be some of the later works of Le Corbusier [6] and Zaha Hadid. [8] Dance: Tchaikovsky's Swan Lake or The Sleeping Beauty exhibit classic lyricism.
Lyrics can be studied from an academic perspective. For example, some lyrics can be considered a form of social commentary. Lyrics often contain political, social, and economic themes—as well as aesthetic elements—and so can communicate culturally significant messages. These messages can be explicit, or implied through metaphor or symbolism.
Lyrical Ballads, with a Few Other Poems is a collection of poems by William Wordsworth and Samuel Taylor Coleridge, first published in 1798 and generally considered to have marked the beginning of the English Romantic movement in literature. [2]
Lyric Essay is a literary hybrid that combines elements of poetry, essay, and memoir. [1] The lyric essay is a relatively new form of creative nonfiction. John D’Agata and Deborah Tall published a definition of the lyric essay in the Seneca Review in 1997: "The lyric essay takes from the prose poem in its density and shapeliness, its distillation of ideas and musicality of language."
An ode (from Ancient Greek: ᾠδή, romanized: ōidḗ) is a type of lyric poetry, with its origins in Ancient Greece.Odes are elaborately structured poems praising or glorifying an event or individual, describing nature intellectually as well as emotionally.
The dominance of lyric was challenged by American experimental modernists such as Ezra Pound, T. S. Eliot, H.D. and William Carlos Williams, who rejected the English lyric form of the 19th century, feeling that it relied too heavily on melodious language, rather than complexity of thought. [2]