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The Rite of Spring [n 1] (French: Le Sacre du printemps) is a ballet and orchestral concert work by the Russian composer Igor Stravinsky.It was written for the 1913 Paris season of Sergei Diaghilev's Ballets Russes company; the original choreography was by Vaslav Nijinsky with stage designs and costumes by Nicholas Roerich.
This is a sound and video discography of Igor Stravinsky's ballet The Rite of Spring. The work was premiered in Paris on May 29, 1913 at the Théâtre des Champs-Élysées. It was presented by Sergei Diaghilev's Ballets Russes with choreography by Vaslav Nijinsky and was conducted by Pierre Monteux. The list includes many of the most noted ...
MacMillan had been invited to create a new production of The Rite of Spring for the Royal Ballet in 1959, but had declined. [2] The company had little history of presenting Stravinsky ballets, with the exceptions of Ashton's Le baiser de la fée (1935) and Scènes de ballet (1948), and MacMillan's Dances concertantes (1955), Agon (1958) and Le baiser de la fée (1961). [3]
In The Rite of Spring (Le Sacre du Printemps), with music by Igor Stravinsky (1913), Nijinsky created choreography that exceeded the limits of traditional ballet and propriety. The radically angular movements expressed the heart of Stravinsky's radically modern score. Violence broke out in the audience as The Rite of Spring premiered. The theme ...
Pulcinella (ballet) R. The Rite of Spring; S. Scènes de ballet (Stravinsky) Scènes de ballet (Ashton) Scènes de ballet (Wheeldon)
Stravinsky's third ballet, The Rite of Spring, caused a near-riot at the premiere due to its avant-garde nature. [60] He had begun to experiment with polytonality in The Firebird and Petrushka, but for The Rite of Spring, he "pushed [it] to its logical conclusion," as Eric Walter White described it. [209]
The engagement was greeted with enthusiasm by the critics and the public, and Munch invited Monteux to join him the following year in heading the orchestra's first European tour. The high point of the tour was a performance under Monteux of The Rite of Spring at the Théâtre des Champs-Elysées, in the presence of the composer. [117]
Similarly, she aided him in his creation of the 1913 ballet The Rite of Spring. She developed her own art in Petrograd and Kiev during the First World War, Revolution and Civil War. While performing in theaters, she worked independently to design and stage her first choreographies. Nijinska started a ballet school on progressive lines in Kiev.