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Aristotle's Poetics: Notes on Sophocles' Oedipus Archived 2018-09-30 at the Wayback Machine, cached version of the original; Background on Drama, Generally, and Applications to Sophocles' Play; Study Guide for Sophocles' Oedipus the King; Full text English translation of Oedipus the King by Ian Johnston, in verse Archived 2011-07-19 at the ...
Seven Against Thebes (Ancient Greek: Ἑπτὰ ἐπὶ Θήβας, Hepta epi Thēbas; Latin: Septem contra Thebas) is the third play in an Oedipus-themed trilogy produced by Aeschylus in 467 BC. The trilogy is sometimes referred to as the Oedipodea . [ 2 ]
Oedipus (UK: / ˈ iː d ɪ p ə s /, also US: / ˈ ɛ d ə-/; Ancient Greek: Οἰδίπους "swollen foot") was a mythical Greek king of Thebes.A tragic hero in Greek mythology, Oedipus fulfilled a prophecy that he would end up killing his father and marrying his mother, thereby bringing disaster to his city and family.
A marble relief of a poet, perhaps Sophocles. Sophocles, the son of Sophillus, was a wealthy member of the rural deme (small community) of Hippeios Colonus in Attica, which was to become a setting for one of his plays; and he was probably born there, [2] [8] a few years before the Battle of Marathon in 490 BC: the exact year is unclear, but 497/6 is most likely.
Oedipus at Colonus: Sophocles, Athens, and the World. Untersuchungen zur antiken Literatur und Geschichte 87. Berlin and New York: De Gruyter. Rosenmeyer, T. G. 1952. "The Wrath of Oedipus." Phoenix 6:92–112. Saïd, S. 2012. "Athens and Athenian Space in Oedipus at Colonus." In Crisis on Stage: Tragedy and Comedy in Late Fifth-Century Athens.
The two exiles, Polynices, the son of Oedipus king of Thebes, and Tydeus, the son of Oeneus king of Calydon, were also mentioned by early sources. The sixth, Parthenopaeus, although usually an Arcadian whose mother was Atalanta (as he is in Aeschylus' Seven Against Thebes ), in another tradition (attested as early as Hecataeus ) he was the son ...
The plot of Sophocles's Oedipus only spans a few hours. Sophocles holds on to the Greek convention of unity of time. That is, performance on stage and plot progress simultaneously. Dryden/Lee's version extends this time period. Their plot spans two days and a night in between, creating tension. Their play makes extensive use of stage effects.
Detail of clay group with mythological scene from the Theban cycle, from the area of temple A at Pyrgi, mid-fifth century BC.. The Theban Cycle (Greek: Θηβαϊκὸς Κύκλος) is a collection of four lost epics of ancient Greek literature which tells the mythological history of the Boeotian city of Thebes. [1]