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Script typefaces are based on the varied and often fluid stroke created by handwriting. [1][2] They are generally used for display or trade printing, rather than for extended body text in the Latin alphabet. Some Greek alphabet typefaces, especially historically, have been a closer simulation of handwriting.
Times New Roman is a serif typeface. It was commissioned by the British newspaper The Times in 1931 and conceived by Stanley Morison, the artistic adviser to the British branch of the printing equipment company Monotype, in collaboration with Victor Lardent, a lettering artist in The Times's advertising department.
Typeface Family Spacing Weights/Styles Target script Included from Can be installed on Example image Aharoni [6]: Sans Serif: Proportional: Bold: Hebrew: XP, Vista
A modern sans-serif and four blackletter typefaces (left to right): Textur (a), Rotunda, Schwabacher and Fraktur. Fraktur (German: [fʁakˈtuːɐ̯] ⓘ) is a calligraphic hand of the Latin alphabet and any of several blackletter typefaces derived from this hand. It is designed such that the beginnings and ends of the individual strokes that ...
Maya script, also known as Maya glyphs, is historically the native writing systemof the Maya civilizationof Mesoamericaand is the only Mesoamerican writing systemthat has been substantially deciphered. The earliest inscriptions found which are identifiably Maya date to the 3rd century BCE in San Bartolo, Guatemala.
Hermann Zapf. Foundry. ITC. ITC Zapf Chancery is a family of script typefaces designed by the type designer Hermann Zapf and marketed by the International Typeface Corporation. It is one of the three typefaces designed by Zapf that are shipped with computers running Apple's Mac OS. [1] It is also one of the core PostScript fonts.
Martin Wait. Date released. 1981. Text of Freestyle Script. Freestyle Script is an informal display script typeface that was designed by Colin Brignall in 1969 and Martin Wait in 1981, by Letraset. Freestyle Script is famously used for commercials in 1980s, birthday cards, decorative, logos and many others. The bold version was designed in 1986.
A variety of different styles of calligraphy exist in Tibet: The Uchen (དབུ་ཅན།, "headed"; also transliterated as uchan or dbu-can) style of the Tibetan script is marked by heavy horizontal lines and tapering vertical lines, and is the most common script for writing in the Tibetan language, and also appears in printed form because of its exceptional clarity.