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Marie-Suzanne Giroust (1734–1772), painter. Joseph Ducreux (1735–1802), painter. Étienne de La Vallée Poussin (1735–1802), French history painter and creator of interior decorative schemes. Louis Albert Guislain Bacler d'Albe (1761–1824), painter. Nicolas Bernard Lépicié (1735–1784), painter.
Pablo Ruiz Picasso[ a ][ b ] (25 October 1881 – 8 April 1973) was a Spanish painter, sculptor, printmaker, ceramicist, and theatre designer who spent most of his adult life in France. One of the most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of constructed sculpture, [ 8 ][ 9 ] the ...
He later became the first art professor at Harvard University, and the first director of the university's Fogg Art Museum. Moore was one of few watercolor painters in the Hudson River School, and was an early member of the American Watercolor Society. Thomas Moran: More images: 12 February 1837 25 August 1926 Artist of the Hudson River School.
Henri Matisse. Henri Émile Benoît Matisse (French: [ɑ̃ʁi emil bənwa matis]; 31 December 1869 – 3 November 1954) was a French visual artist, known for both his use of colour and his fluid and original draughtsmanship. He was a draughtsman, printmaker, and sculptor, but is known primarily as a painter.
Hieronymus Bosch (/ haɪˈrɒnɪməs bɒʃ, bɔːʃ, bɔːs /; [1][2][3][4] Dutch: [ɦijeːˈroːnimʏz ˈbɔs] ⓘ; [a] born Jheronimus van Aken[5] [jeːˈroːnimʏs fɑn ˈaːkə (n)]; [b] c. 1450 – 9 August 1516) was a Dutch painter from Brabant. He is one of the most notable representatives of the Early Netherlandish painting school.
e. The medieval art of the Western world covers a vast scope of time and place, with over 1000 years of art in Europe, and at certain periods in Western Asia and Northern Africa. It includes major art movements and periods, national and regional art, genres, revivals, the artists' crafts, and the artists themselves.
The history of Western painting represents a continuous, though disrupted, tradition from antiquity until the present time. [1] Until the mid-19th century it was primarily concerned with representational and traditional modes of production, after which time more modern, abstract and conceptual forms gained favor. [2]
Surrealism, which originated in the early 1920s, came to be regarded by the public as the most extreme form of modernism, or "the avant-garde of modernism". [92] The word "surrealist" was coined by Guillaume Apollinaire and first appeared in the preface to his play Les Mamelles de Tirésias, which was written in 1903 and first performed in 1917.
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