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Guna tribal members of Panama and Colombia are famous for their molas, cotton panels with elaborate geometric designs created by a reverse appliqué technique. Designs originated from traditional body art designs but today exhibit a wide range of influences, including pop culture. Two mola panels form the bodice of a blouse.
Kuna tribal members of Panama and Colombia are famous for their molas, cotton panels with elaborate geometric designs created by a reverse appliqué technique. Designs originated from traditional skin painting designs but today exhibit a wide range of influences, including pop culture. Two mola panels form a blouse, but when a Kuna woman is ...
The patterns include motifs of animals, birds, human forms, flowers, diamond, and celestial phenomenon. These indigenous patterns are woven by tribal and nontribal Weavers. The motifs are known as phul. The bright-hued diamond motifs representing fine workmanship is a typical and traditional feature of the textiles of Assam.
In 1981, Margaret Wood (Navajo/Seminole) of Arizona, known for fashion design as well as for her quilts, [45] [46] published Native American Fashion: Modern Adaptations of Traditional Designs. [47] The book was the first treatment of contemporary Native American fashion and remains the sole in-depth treatment of the subject. [48]
The Yup'ik non-hanging trims on clothing: akurun ~ akut (in Yup'ik) aku (in Cup'ig) trim at hem of parka, often made of pieces of black and white calfskin sewn together in a geometric design; tungunqucuk wide strip of otter fur below the light-colored decoration at the hem or cuff of a traditional Yup’ik parka, or other dark fur trim on a ...
From tiny, delicate patterns to bold, sprawling works of art, mandala tattoos showcase harmony and symmetry in every detail — a reflection of centuries-old spiritual traditions, religious ...
A lliklla (Quechua, [2] hispanicized spellings liclla, llicla, lliclla) is a rectangular, handwoven shoulder cloth. It is worn by Quechua women of the Andes region in Bolivia and Peru. Traditionally it is fastened at the front using a decorated pin called tupu. [3] [4]
There are even examples of beadwork on parkas from the early 20th century that represent complex images like faces and sailing ships. [233] Beginning in the 1950s and 1960s, the designs on fur inserts used for kamiit became increasingly elaborate, and by the 1980s were incorporating designs drawn from modern culture. Jill Oakes and Rick Riewe ...