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The most familiar recent use was for brightly printed kitchen tablecloths. Dull-colored oilcloth was used for bedrolls, sou'westers, and tents. By the late 1950s, oilcloth became a synonym for vinyl (polyvinyl chloride) bonded to either a flanneled cloth or a printed vinyl with a synthetic non-woven backing.
Hexagonal red vinyl. Looks like a red box in 2D; flipside is a band photo. 7" Saxon: Back on the Streets Again Shaped as an apple (as is printed on one side of the disk). 7" Sparks: You Earned The Right To Be A Dick 2018 Shaped like the hippo featured on the cover of Hippopotamus. 7" Tangerine Dream: Warsaw in the Sun 1984
A bumper sticker is usually a vinyl label with a very strong, durable adhesive and lightfast inks. Embossing tape is "printed" by pressing raised elements similar to printing type onto it, which produces raised glyphs that look white due to the discoloration of the plastic. A type known as 'destructible vinyl' is commonly used for asset labels.
To make a print, the engraved plate is inked all over, then the ink is wiped off the surface, leaving ink only in the engraved lines. The plate is then put through a high-pressure printing press together with a sheet of paper (often moistened to soften it). The paper picks up the ink from the engraved lines, making a print.
The 'wrap-around' or 'flipback' sleeve initially became the standard packaging method for LPs during the 1950s. In this packaging method the front cover is able to be printed in colour and is laminated, whereas the back cover features only black text on a white background and is usually unlaminated. These sleeves are constructed in two parts: a ...
Their playing surfaces were clear vinyl and there was a sturdy aluminum core disc between the printed sheets. The imagery was usually gaudy and done in 1940s calendar art style. They sold for US$1.05 each, only about 50 percent more than ordinary shellac records, but the list of available titles was short and the recording artists were second ...
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