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Page from the manuscript of the Requiem: In paradisum, m. 413, Bibliothèque Nationale, Paris Gabriel Fauré composed his Requiem in D minor, Op. 48, between 1887 and 1890.. The choral-orchestral setting of the shortened Catholic Mass for the Dead in Latin is the best-known of his large wor
The French composer Gabriel Fauré (1845–1924) wrote in many genres, including songs, chamber music, orchestral pieces, and choral works. [1] His compositions for piano, written between the 1860s and the 1920s, [n 1] include some of his best-known works.
Op. 68 Allegro symphonique (1895), arr. for piano 4 hands from 1st movement of Symphonic Suite, Op. 20; Op. 69 Romance in A for cello and piano (1894) Op. 70 Barcarolle No. 6 in E-flat (1895) Op. 72 Pleurs d’or; Op. 73 Theme and Variations for piano (1895), orch. Inghelbrecht 1955 Theme; Variation I L'istesso tempo; Variation II Piu mosso
Fauré's music began to appear more frequently in the record companies' releases in the 1950s. The Record Guide, 1955, listed the Piano Quartet No. 1, Piano Quintet No. 2, the String Quartet, both Violin Sonatas, the Cello Sonata No. 2, two new recordings of the Requiem, and the complete song cycles La bonne chanson and La chanson d'Ève. [153]
The catalogue, acquired and now distributed by Éditions Leduc, includes an important collection of piano music. Hamelle also published works of Édouard Lalo, Vincent d'Indy, Gabriel Pierné, Camille Saint-Saëns, Charles-Marie Widor, and in particular, those of Gabriel Fauré (Requiem, Élégie, Pavane, as well as the famous Mélodies etc.).
Cantique de Jean Racine (Chant by Jean Racine), Op. 11, is a composition for mixed choir and piano or organ by Gabriel Fauré.The text, "Verbe égal au Très-Haut" ("Word, one with the Highest"), is a French paraphrase by Jean Racine of a Latin hymn from the breviary for matins, Consors paterni luminis.
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