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In white-ground pottery, the vase is covered with a light or white slip of kaolinite. A similar slip had been used as carrier for vase paintings in the Geometric and Archaic periods. White-ground vases were produced, for example, in Ionia , Laconia and on the Cycladic islands , but only in Athens did it develop into a veritable separate style ...
The Tianqi ware, and other associated wares, display a refreshing spontaneity of design that makes them unique in Chinese ceramic history. The influence of the master landscape artist Dong Qichang (董其昌; 1555–1636) can be discerned in the use of a dark and light color contrast.
Qingbai ware (Chinese: 青白; pinyin: qīngbái; lit. 'green-white') is a type of Chinese porcelain produced under the Song dynasty and Yuan dynasty, defined by the ceramic glaze used. [1] Qingbai ware is white with a blue-greenish tint, and is also referred to as Yingqing ("shadow green", although this name appears only to date from the 18th ...
Small Guan bowl on legs (some 3 inches across), with pronounced type 3 glaze crackle Mallet-shaped vase, Guan ware, 12th–13th century, with type 1 crackle. Guan ware or Kuan ware (Chinese: 官窯; pinyin: guān yáo; Wade–Giles: kuan-yao) is one of the Five Famous Kilns of Song dynasty China, making high-status stonewares, whose surface decoration relied heavily on crackled glaze, randomly ...
Jun vase The Jun glaze included blue-grey, sky-blue, moon-white, red and purple, the most prized have crimson or purple splashes. Varying the temperature of the kilns changed colour tints, a technique known as yaobian .
In Something’s Gotta Give, the white ceramic plates and bowls are stacked on open shelving, their surfaces blending seamlessly with the pristine white cabinetry. On the counters, glass jars ...
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