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Shed roof attached to a barn. A shed roof, also known variously as a pent roof, lean-to roof, outshot, catslide, skillion roof (in Australia and New Zealand), and, rarely, a mono-pitched roof, [1] is a single-pitched roof surface. This is in contrast to a dual- or multiple-pitched roof.
These structures characteristically have shed roofs, also referred to as "skillions", or "outshots" and "catslides" when the shed's roof is a direct extension of a larger structure's. A lean-to shelter is a simplified free-standing version of a wilderness hut with three solid walls and a single- or, in the case of an Adirondack lean-to , offset ...
The New England connected farmstead, as many architectural historians have termed the style, consisted of numerous farm buildings all connected into one continuous structure. Houses, ells, sheds, barns, and other outbuildings all were combined to form one long building. [3] Architectural styles varied, from Greek to Gothic Revival. [3]
A rural shed Modern secure bike sheds A garden shed with a gambrel roof. A shed is typically a simple, single-storey roofed structure, often used for storage, for hobbies, or as a workshop, and typically serving as outbuilding, such as in a back garden or on an allotment.
These sheds could manifest as open porches, enclosed rooms, or a combination of the two. This I-house with sheds came to be commonly referred to as "Plantation Plain". It also proved to be one of the most adaptable folk house types to changing architectural tastes, with some even having neoclassical porticoes and other high-style elements added ...
New York stoops may have been a simple carry-over from the Dutch practice of constructing elevated buildings. [2]It has been well documented that the stoop served the function of keeping people and their homes separated from horse manure, which would accumulate in the streets at high rates.
Abstraction, Porch Shadows (1916) by Paul Strand. Abstraction, Porch Shadows, also known as Abstraction, Porch Shadows, Twin Lakes, Connecticut, is a black and white photograph taken by Paul Strand in 1916. It is one of the best known photographs of his early phase, and shows the influence of cubism and abstractionism.
Such floor plans usually work well in homes with a smaller area, while larger homes have more leeway to work with [clarification needed] when integrating great rooms into a floor plan. [8] The removal of interior walls increases views and allows sunlight from windows in the exterior walls to spread throughout the house.
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