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Surrealism came to the forefront in the 1920s cultural scene, bringing new forms of expression to poetry with authors like André Breton, whose Surrealist Manifesto appeared in 1924, Louis Aragon, Paul Éluard, and Robert Desnos. Émigré artists had created Post-Impressionism, Cubism, and Fauvism in Paris before World War I, and included Pablo ...
Robert Bridges, October, and Other Poems [3] Cambridge Poets 1914–1920, anthology edited by Edward Davison; W. H. Davies, The Song of Life, and Other Poems [3] Walter de la Mare, Poems 1901 to 1918 [3] T. S. Eliot: Poems, including Gerontion and Sweeney Among the Nightingales; The Sacred Wood: Essays on Poetry and Criticism
Dance clubs became enormously popular in the 1920s. Their popularity peaked in the late 1920s and reached into the early 1930s. Dance music came to dominate all forms of popular music by the late 1920s. Classical pieces, operettas, folk music, etc., were all transformed into popular dancing melodies to satiate the public craze for dancing.
The fashion of the Harlem Renaissance was used to convey elegance and flamboyancy and needed to be created with the vibrant dance style of the 1920s in mind. [43] Popular by the 1930s was a trendy, egret-trimmed beret.
The most famous Paris dance company was the Ballets Russes, Founded by Sergei Diaghilev in 1909. The company performed in Paris and internationally until Diaghilev's death in 1929. The set designers included Pablo Picasso, Henri Matisse, Georges Braque, Joan Miró, and Salvador Dalí.
December – The first edition of the Poems of the English war poet Wilfred Owen, killed in action in 1918, appears in London, introduced by his friend Siegfried Sassoon but with much of the editing carried out by Edith Sitwell. Only five of Owen's verses having been published in his lifetime, the collection introduces his work to many readers.
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