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Jean-Paul Marat was born in Boudry, in the Prussian Principality of Neuchâtel (now a canton of Switzerland), on 24 May 1743. [7] He was the first of five children born to Jean Mara (born Juan Salvador Mara; 1704–1783), a Sardinian [ 8 ] [ 9 ] from Cagliari , and Louise Cabrol (1724–1782), from Geneva . [ 10 ]
The Triumph of Marat (French: Le Triomphe de Marat) is an oil on canvas history painting by the French artist Louis-Léopold Boilly, from 1794. [ 1 ] [ 2 ] It is in the collection of the Palais des Beaux-Arts de Lille , having been acquired in 1865.
L'Ami du peuple (French: [lami dy pœpl], The Friend of the People) was a newspaper written by Jean-Paul Marat during the French Revolution. "The most celebrated radical paper of the Revolution", according to historian Jeremy D. Popkin, [1] L’Ami du peuple was a vocal advocate for the rights of the lower classes and was an outspoken critic against those Marat believed to be enemies of the ...
Paine's speech in defense of Louis XVI was interrupted by Jean-Paul Marat, who claimed that, as a Quaker, Paine's religious beliefs ran counter to inflicting capital punishment and thus he should be ineligible to vote. Marat interrupted a second time, stating that the translator was deceiving the convention by distorting the meanings of Paine's ...
Paine was imprisoned, but he narrowly escaped execution. The famous painting The Death of Marat depicts the fiery radical journalist and denouncer of the Girondins Jean-Paul Marat after being stabbed to death in his bathtub by Charlotte Corday, a Girondin sympathizer. Corday did not attempt to flee and was arrested and executed.
The Death of Marat (French: La Mort de Marat or Marat Assassiné) is a 1793 painting by Jacques-Louis David depicting the artist's friend and murdered French revolutionary leader, Jean-Paul Marat. [1]
The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of Charenton Under the Direction of the Marquis Sade, which is usually simplified to Marat/Sade, is a play written by Peter Weiss in which de Sade directs a play featuring the inmates as actors. During his time at Charenton, de Sade did direct plays at the facility.
Jean-Paul Marat led the attack on the representatives in the National Convention, who in January had voted against the execution of the King and since then had paralyzed the convention. It ended after thousands of armed citizens surrounded the convention to force it to deliver the deputies denounced by the Commune.