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For steep tower roof variants use Pyramid roof. Pyramid roof: A steep hip roof on a square building. Pyatthat: A multi-tiered and spired roof commonly found in Burmese royal and Buddhist architecture. Tented: A type of polygonal hipped roof with steeply pitched slopes rising to a peak; Helm roof, Rhenish helm: A pyramidal roof with gable ends ...
The Imperial Crown Style (帝冠様式, teikan yōshiki) of Japanese architecture developed during the Japanese Empire in the early twentieth century. The style is identified by Japanese-style roofing on top of Neoclassical styled buildings; [1] and can have a centrally elevated structure with a pyramidal hip roof.
It is a pyramidal roof on towers of square plan. Each of the four sides of the roof is rhomboid in form, with the long diagonal running from the apex of roof to one of the corners of the supporting tower. Each side of the tower is topped with an even triangular gable from the peak of which runs a ridge to the apex of the roof. Thus, the corners ...
The namaskara mandapa is a square-shaped pavilion with a raised platform, set of pillars, and pyramidal roof. The size of the mandapa is decided by the width of the shrine cell. The pavilion in its simplest form has four corner pillars, but larger pavilions are provided with two sets of pillars – four inside and twelve outside.
Maya pyramid at Tikal with prominent roof comb. The roof comb (or roof-comb) is the structure that tops a pyramid in monumental Mesoamerican architecture.Typically, the roof combs crowned the summit of pyramids and other structures; they consisted of two pierced framework walls which leaned on one another.
The Nsude pyramid shrines are pyramidal shrines located in Nsude, a village in southeastern Nigeria. These are structures that were constructed by the Igbo and are made of earth and clay. The anthropologist and colonial administrator G.I. Jones took photos of the pyramids when he saw them in 1935. Over time, the Nsude Pyramids experienced ...
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In ancient Egyptian religion, the pylon mirrored the hieroglyph akhet 'horizon', which was a depiction of two hills "between which the sun rose and set". [2] Consequently, it played a critical role in the symbolic architecture of a building associated with the place of re-creation and rebirth.