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In English literature, Don Juan, written from 1819 to 1824 by the English poet Lord Byron, is a satirical, epic poem that portrays the Spanish folk legend of Don Juan, not as a womaniser as historically portrayed, but as a victim easily seduced by women. [1] As genre literature, Don Juan is an epic poem, written in ottava rima and presented in ...
His tone poem Don Juan premiered in Weimar on 11 November 1889 to tremendous critical response, and the work quickly brought him international fame and success. This was followed by another lauded achievement, the premiere of his tone poem Death and Transfiguration in 1890.
Don Juan (Spanish: [doŋ ˈxwan]), also known as Don Giovanni , is a legendary, fictional Spanish libertine who devotes his life to seducing women. The original version of the story of Don Juan appears in the 1630 play El burlador de Sevilla y convidado de piedra (The Trickster of Seville and the Stone Guest) by Tirso de Molina.
His demand was instantly accepted and the poem appeared in the April issue of the magazine. [1] Tolstoy dedicated his Don Juan drama to Mozart and E. T. A. Hoffmann, since the latter was "the first to see in this character not a philanderer but a seeker of high ideal," as he explained in an 1860 letter to Markevich. [3]
Don Juan, Op. 20, is a tone poem in E major for large orchestra written by the German composer Richard Strauss in 1888. The work is based on Don Juans Ende, a play derived from an unfinished 1844 retelling of the tale by poet Nikolaus Lenau after the Don Juan legend which originated in Renaissance-era Spain. [1]
Don Juan draws his own sword and kills Don Gonzalo. With his final breath, Don Gonzalo swears to haunt Don Juan. Don Juan leaves the house just in time to find Mota and give him his cape back and flees. Mota is immediately seen wearing the same cloak as the man who murdered Don Gonzalo and is arrested.
He quotes his early opera Guntram (eight times), his symphonic poems Don Quixote (five times), Don Juan (four), Death and Transfiguration (four), Macbeth (three), Also sprach Zarathustra (three) and Till Eulenspiegel (once). The lieder "Traum durch die Dämmerung", Op 29/1 and "Befreit", Op 39/1, are quoted once each. [7]
Dom Juan ou le Festin de Pierre ("Don Juan or The Feast of Stone") is a five-act 1665 comedy by Molière based upon the Spanish legend of Don Juan Tenorio. [1] The aristocrat Dom Juan is a rake who seduces, marries, and abandons Elvira, discarded as just another romantic conquest. Later, he invites to dinner the statue of a man whom he recently ...