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This list is for characters in fictional works who exemplify the qualities of an antihero—a protagonist or supporting character whose characteristics include the following: imperfections that separate them from typically heroic characters (such as selfishness, cynicism, ignorance, and bigotry); [1]
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
A stock character is a dramatic or literary character representing a generic type in a conventional, simplified manner and recurring in many fictional works. [1] The following list labels some of these stereotypes and provides examples. Some character archetypes, the more universal
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Kennings for a particular character are listed in that character's article. For example, the Odin article links to a list of names of Odin, which include kennings. A few examples of Odin's kennings are given here. For a scholarly list of kennings see Meissner's Die Kenningar der Skalden (1921) or some editions of Snorri Sturluson's ...
imaginary friend of the title character in Jojo Rabbit: Billy Murdock's invisible dog in The A-Team: Bing Bong childhood friend of Riley in Inside Out: Blue Jeremy's childhood imaginary friend and several other characters in IF: Captain Excellent Paper Man: Chauncey Imaginary: Drop Dead Fred Drop Dead Fred: Elvis Presley: True Romance: Eric ...
An example of this includes his character Tygyn, who on his quest for peace determines that the only way for peace to exist is to use military strength to enforce. [6] The use of mythology is used in Shakespeare's Hamlet as a device to parallel the characters and to reflect back on them their role in the story, such as the use of the Niobe myth ...
Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works. These terms are helpful for curricula or anthologies. [1]