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In detective stories, the dénouement is the segment of a mystery novel in which the protagonist of the story, or a character serving in his or her stead, reveals all the clues and lays out the conclusion for the other characters. This is usually in an attempt to show readers how the character came to the conclusion and solved the mystery.
René Le Bossu, a 17th-century French critic, divides the catastrophe, at least with regards to epics, into the unravelling, or denouement, and the finishing, or achievement; the latter of which he makes the result of the former, and to consist in the hero's passage out of a state of trouble and agitation, to rest and quiet. This period is but ...
The Canadian literary critic and theorist Northrop Frye analyzes the narratives of the Bible in terms of two dramatic structures: (1) a U-shaped pattern, which is the shape of a comedy, and (2) an inverted U-shaped pattern, which is the shape of a tragedy.
The literary theory of Russian Formalism in the early 20th century divided a narrative into two elements: the fabula (фа́була) and the syuzhet (сюже́т). A fabula is the chronology of the fictional world, whereas a syuzhet is a perspective or plot thread of those events.
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
In a simple narrative, the four stages appear in order. That is, the sequence of the telling or presentation follows the chronology of the told. In a more complex story, the order of the telling may vary. For instance, such a story may begin with the Denouement and then present the Situation, Complication, and Resolution in a flashback.
In classical drama, the epitasis (Ancient Greek: ἐπίτασις) is the main action of a play, in which the trials and tribulations of the main character increase and build toward a climax and dénouement.
The first act is usually used for exposition, to establish the main characters, their relationships, and the world they live in.Later in the first act, a dynamic, on-screen incident occurs, known as the inciting incident, or catalyst, that confronts the main character (the protagonist), and whose attempts to deal with this incident lead to a second and more dramatic situation, known as the ...