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This process made it easy to then go over the oil and make it resemble wood or different types of leather. On the ceilings that were 8–14 feet the color was tinted three shades lighter than the color that was on the walls and usually had a high quality of ornamentation because decorated ceilings were favored.
The house is among the best preserved of Wood's output; it has been little altered, and many original features were still present in 2014. [ 6 ] [ 23 ] Some changes from his plans have occurred; Wood had envisaged the entrance hall being finished with mahogany panelling, but this was never fitted.
Charles Francis Annesley Voysey FRIBA RDI [2] (28 May 1857 – 12 February 1941) was an English architect and furniture and textile designer.Voysey's early work was as a designer of wallpapers, fabrics and furnishings in a Arts and Crafts style and he made important contribution to the Modern Style (British Art Nouveau style), and was recognized by the seminal The Studio magazine. [3]
His house was criticized by some, but other neighbors began to copy his example. Kardum became a color designer, and he and other artist/colorists such as Tony Canaletich, Bob Buckter, and Jazon Wonders began to transform dozens of gray houses into Painted Ladies.
Tiffany worked on the East Room, the Blue Room, the Red Room, the State Dining Room, and the Entrance Hall, refurnishing, repainting in decorative patterns, installing newly designed mantelpieces, changing to wallpaper with dense patterns, and adding Tiffany glass to gaslight fixtures and windows and adding an opalescent floor-to-ceiling glass ...
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In textiles, wallpaper and other objects where the decoration may be the main justification for its existence, the terms pattern or design are more likely to be used. The vast range of motifs used in ornament draw from geometrical shapes and patterns, plants, and human and animal figures.
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