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Scriptnotes is a weekly podcast that began airing on August 30, 2011. [1] It is billed as "a podcast about screenwriting, and things that are interesting to screenwriters." [2] The podcast is hosted by screenwriters John August and Craig Mazin, with new episodes released every Tuesday.
Spec writing is also unique in that the writer must pitch the idea to producers. In order to sell the script, it must have an excellent title, good writing, and a great logline, laying out what the movie is about. A well-written logline will convey the tone of the film, introduce the main character, and touch on the primary conflict.
Unspooled is a film podcast on the Earwolf network. It is hosted by film critic Amy Nicholson and actor/comedian Paul Scheer. [1] Initially, the podcast covered the American Film Institute (AFI) Top 100 films. [2] Later episodes of the podcast have covered other classic movies, with the ultimate goal of creating a list of the 100 best movies of ...
DC TV Podcasts: 2020–present Hosts of other DC podcasts [9] Drama Queens: 2021–present Sophia Bush, Hilarie Burton, Bethany Joy Lenz: iHeartRadio [10] Every Horror Movie On Netflix: 2017–present Chris, Patrick, and Steve Independent [11] Feminist Frequency Radio: 2017–present Kat Spada and Anita Sarkeesian: Independent [12] Film Sack ...
Image credit: A24. 6. 'Lady Bird' (2017) 6. ‘Lady Bird’ (2017) This coming-of-age flick directed by Greta Gerwig and starring Saoirse Ronan has it all: brilliant writing, stellar performances ...
[2] Bill Thompson of Bill's Movie Emporium disapproved in 2011, writing "The show tries to bring humor into the mix, and it has really good audio quality. Yet I really didn't like Film Sack, and it's not that it was bad but it's that I found my time with the podcast completely forgettable." Thompson recommended, "Unsubscribe."
We’re less than 24 hours from Hollywood’s biggest night, and if you haven’t filled out your office or household Oscar pool, time is running out. But first — check out this week’s Variety ...
Script coverage is a filmmaking term for the analysis and grading of screenplays, often within the "script development" department of a production company. [1] While coverage may remain entirely oral, it usually takes the form of a written report, guided by a rubric that varies from company to company. [2] Criteria include, but are not limited to: