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“The fact that the modern Cuban bokú originates and is found only in the cities of Oriente, permits one to suppose that the bokú, with or without exact Bantu morphological antecedents, is an unusual type of drum in Cuba; but was adopted by the Cubans when, upon the prohibition of African drums, they resorted to new types of drums which, due ...
Alberto Zayas Govín was born in the Pueblo Nuevo neighborhood of Matanzas on February 14, 1908. [3] [4] When he was one year old his family moved to Havana.At age 14 he lived in El Cerro district of Havana and sang in coros de clave, the precursor ensembles of the guaguancó.
Diez Nieto's compositions employ elements typical of Cuban folk music. He never directly quotes from folk music, but creates original music which recalls it; such as in his pieces Los Diablitos (The Little Devils, 1969) based on an Afro-Cuban Abakuá dance, and Yo te pedí un aguinaldo ("I asked you for a Christmas bonus"; "aguinaldo" also refers to a flowering plant common in Cuba) for voice ...
Download QR code; Print/export Download as PDF; Printable version; In other projects ... Music of African heritage in Cuba; Afro (genre) Afro-Cuban jazz; B. Bolero; C.
The music of Cuba, including its instruments, performance, and dance, comprises a large set of unique traditions influenced mostly by west African and European (especially Spanish) music. [1] Due to the syncretic nature of most of its genres, Cuban music is often considered one of the richest and most influential regional music in the world.
Afro is a genre of Cuban popular music with African themes which gained prominence during the afrocubanismo movement in the early 20th century. [ 1 ] [ 2 ] It originated in the late 19th century Cuban blackface theatre, where some elements from Afro-Cuban music traditions such as Santería and Palo were incorporated into a secular context.
Afro-Caribbean music is a broad term for music styles originating in the Caribbean from the African diaspora. [1] These types of music usually have West African/Central African influence because of the presence and history of African people and their descendants living in the Caribbean, as a result of the trans-Atlantic slave trade. [2]
The group started as a vocal quartet, then turned to symphonic rock before going on to explore a fusion between Afro-Cuban music—Cuban roots—and contemporary music. X Alfonso explains: “my music has always revolved around roots and exploration. That’s what I’m always trying to convey; I draw on folklore, on Cuba.”