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Another common subject of African masks is a woman's face, usually based on a specific culture's ideal of feminine beauty. Female masks of the Punu people of Gabon, for example, have long curved eyelashes, almond-shaped eyes, thin chin, and traditional ornaments on their cheeks, as all these are considered good-looking traits. [17]
Often strips of raffia, which are pieces of fiber from the raffia palm, are attached to the mask. The white color of these masks is associated with things like the spirits of ancestors, death, and male virility or manhood. [2] Most Ngil masks are an oval shape featuring a broad forehead with an elongated chin and nose.
African masks are also used in the Mas or Masquerade of the Caribbean Carnival. Djolé (also known as Jolé or Yolé) is a mask-dance from Temine people in Sierra Leone. Males wear the mask, although it does depict a female. Fang mask used for the ngil ceremony, an inquisitorial search for sorcerers. Wood, Gabon, 19th century
The Woyo masks are typically made out of wood, and painted with contrasting colors, often in dots. The colors used had symbolic meaning and were sometimes repainted, symbolizing rebirth, or to restore the power of the mask. [1] They were worn in ceremonial dances known as the ndunga. They are also decorated with sacred objects known as nkissi. [2]
[3] [11] The thirteenth edition of the festival was held from February 27 to March 5, 2016, and featured masks from over 50 communities from six West African countries: Burkina Faso, Benin, Ivory Coast, Mali, Senegal, and Togo. [2] [12] ASAMA estimated 100,000 people attended the event, [2] including more than 2,000 international tourists. [12]
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Pictographs traced to be older than twenty-five thousand years old show humans wearing masks of animals but, like many other masks from this era, these masks were believed to be made of bio-gradable material and unable to stand the test of time. [11] Masks for current ceremonies include those of the Dogon Tribe. The Dogon Masks are made of wood.
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