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Saz was a style of vegetal ornament popular in Ottoman decorative arts of the 16th century CE, characterized by the use of long, feathery sawtoothed leaves and composite blossoms. [4] At the same time, saz is also used as a name for the art style, in which saz ornament was basic element of the compositions.
The Ottomans also did not continue the Seljuk tradition of constructing monumental stone portals covered in ornamentation. [118] Lastly, as the classical Ottoman style took form, large solid walls that were common in more traditional structures were superseded by highly articulated structures with many elements joined as part of a more complex ...
Over the subsequent generation, the ottoman became a common piece of bedroom furniture. European ottomans standardized on a smaller size than the traditional Turkish ottoman, and in the 19th century they took on a circular or octagonal shape. The seat was divided in the center by arms or by a central, padded column that might hold a plant or ...
Ottoman cemeteries were also gardens and were often established next to mosques. Large Ottoman küllliye complexes, which consisted of a mosque with other charitable and religious buildings around it, were often set inside an outer enclosure. The grounds and common spaces of these enclosures were planted with grass and trees, around which the ...
In some pieces, such as the front of a large charger with a foliate rim in the Çinili Koşk Museum in Istanbul, the decoration used only Ottoman Rumi designs. [ 49 ] During the first two decades of the 16th century there was a gradual shift in style with the introduction of a brighter blue, more use of a white background and a greater use of ...
Features which would mark the top of furniture, called finials, were common. To decorate furniture, contrasting pieces would be inserted into depressions in the furniture. This practice is called inlaying. It was common for ancient furniture to have religious or symbolic purposes. The Incans had chacmools which were dedicated to sacrifice.
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