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Painting of the 13th century BCE showing women in ceremonial attire, one at least wearing a perfume cone. Head cones, also known as perfume cones or wax cones, were a type of conical ornament worn atop the head in ancient Egypt. They are often depicted on paintings and bas-reliefs of the era, but were not found as archaeological evidence until ...
Notable series of works include the cone paintings, which he created after having a "strong and pleasant dream about flying in a spaceship" [1] and depict a cone with its point down and two sides like an arc of a circle, which has been read as an abstract head with two shoulders; and the opium paintings which were supposedly inspired by Jean ...
The art historian John J. Ciofalo writes that "the victim appears to be an adult and, given the curvaceous buttocks and legs, a female." [11] Moreover, in other versions, the sons are alive and struggling or at least have heads, so the viewer can identify or sympathize. The victim is not struggling in Saturn's vice-like, blood-oozing grip ...
A conical hennin with black velvet lappets (brim) and a sheer veil, 1485–90. The hennin (French: hennin / ˈ h ɛ n ɪ n /; [1] possibly from Flemish Dutch: henninck meaning cock or rooster) [N 1] was a headdress in the shape of a cone, steeple, or truncated cone worn in the Late Middle Ages by European women of the nobility. [2]
[9] [10] As the council indicated that action against the practice could still be considered, [11] the art-political organization National Collective organised a rally in defence of the cone. [12] In 2014, in support of the Scottish Independence referendum, the statue was fitted with a "Yes" cone as well as a flag fitted in the statue's stirrup ...
The robin egg blue painting contains Basquiat's signature crown motif and a head alongside his characteristic scrawled text with phrases such as "AMORITE," "TEN YEN" and "DUNCE." [4] The title refers to the mathematical equations incorporated on the right side of the work. The cone refers to the pointed dunce caps depicted in the work. [5]
This is a list of public art in Newcastle upon Tyne, ... high inverted stainless steel cone sculpture ... 12 cast bronze seahorse heads, each 1.4 m (4 ft 7 in) high x ...
In 1887–88, van Gogh painted two more paintings with skulls, the only other works of his (besides a drawing from the same period) to use skulls as a motif. [2] The work measures 32 by 24.5 centimetres (12.6 in × 9.6 in). It is considered a vanitas or memento mori, at a time when van Gogh himself was in poor health.
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