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Sultans of Swing: The Very Best of Dire Straits is the second greatest hits compilation by the British rock band Dire Straits, released on 19 October 1998 by Mercury Records internationally, and by Warner Bros. Records in the United States.
The Great Band Era is a compilation album featuring Swing music from 1936-1945. Reader's Digest released the album in 1965. In 1988, the Recording Industry Association of America certified 9 million sales of the album – making it one of the top selling albums ever within the United States.
The jazz, R&B, and swing revival vocal group Manhattan Transfer and Bette Midler included swing era hits on albums during the early 1970s. In Seattle the New Deal Rhythm Band and the Horns O Plenty Orchestra revived 1930s swing with a dose of comedy behind vocalists Phil "De Basket" Shallat, Cheryl "Benzene" Bentyne , and six-foot-tall "Little ...
The song remained popular throughout the swing era and charted five times in the 1930s and 1940s. It became Frank Sinatra's first hit under his own name in 1942. [69] "Willow Weep for Me" [4] [44] [70] is a song with music and lyrics by Ann Ronell.
James Robert Wills (March 6, 1905 – May 13, 1975) was an American Western swing musician, songwriter, and bandleader. Considered by music authorities as the founder of Western swing, [1] [2] [3] he was known widely as the King of Western Swing (although Spade Cooley self-promoted the moniker "King of Western Swing" from 1942 to 1969).
The Bach Album (1991) Swing CD5, reissued by Virgin Classics as Bach Hits Back (1994) augmented of 5 tracks; A Cappella Amadeus, A Mozart Celebration (1991) Virgin Classics; Around the World, Folk Songs (1991) Virgin Classics – a.k.a. (Around the World) Folk Music
The song is on The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll list, Dire Straits' only appearance. [26] In 2006, Mojo included it in a list of the 50 best British songs. [27] Guitar World ranked its guitar solo at the 22nd greatest, and Rolling Stone named it the 32nd greatest guitar song. [7] [28]
Several factors led to the demise of the swing era: the 1942–1944 musicians' strike from August 1942 to November 1944 (the union that most jazz musicians belonged to told its members not to record until the record companies agreed to pay them each time their music was played on the radio), the earlier ban of ASCAP songs from radio stations ...