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[[Category:Shakespeare templates]] to the <includeonly> section at the bottom of that page. Otherwise, add <noinclude>[[Category:Shakespeare templates]]</noinclude> to the end of the template code, making sure it starts on the same line as the code's last character.
At the same time, Richard's vivid self-awareness looks forward to the soliloquies of Shakespeare's mature plays. [4] [5] No single play marks a change from the traditional to the freer style. Shakespeare combined the two throughout his career, with Romeo and Juliet perhaps the best example of the mixing of the styles. [6]
This template should be placed at the top of each article for William Shakespeare's individual sonnets (e.g. Sonnet 1).It provides navigation to the previous and next sonnets in the sequence, a place for an image from the 1609 Quarto with caption, and houses the full text of the sonnet with verse structure apparatus and citation.
The Entry of Richard and Bolingbroke into London (from William Shakespeare's 'Richard II', Act V, Scene 2), James Northcote (1793) The Life and Death of King Richard the Second, often shortened to Richard II, is a history play by William Shakespeare believed to have been written around 1595.
Sonnet 60 is an English or Shakespearean sonnet.The Shakespearean sonnet contains three quatrains followed by a final rhyming couplet.It follows the form's typical rhyme, abab cdcd efef gg and is written a type of poetic metre called iambic pentameter based on five pairs of metrically weak/strong syllabic positions.
"To be, or not to be" is a speech given by Prince Hamlet in the so-called "nunnery scene" of William Shakespeare's play Hamlet (Act 3, Scene 1). The speech is named for the opening phrase, itself among the most widely known and quoted lines in modern English literature, and has been referenced in many works of theatre, literature and music.
At the same time, Richard's vivid self-awareness looks forward to the soliloquies of Shakespeare's mature plays. [ 207 ] [ 208 ] No single play marks a change from the traditional to the freer style. Shakespeare combined the two throughout his career, with Romeo and Juliet perhaps the best example of the mixing of the styles. [ 209 ]
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