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Christ, portrayed with open hands to show all the wounds of the crucifixion, is raised on finely sculpted ancient sarcophagus. [ citation needed ] His body is wrapped in a metallic white drape, and his supported by two kneeling angels (a seraphim and a cherubim ).
Together with the Pietà, it was the most popular of the Andachtsbilder-type images of the period – devotional images detached from the narrative of Christ's Passion, intended for meditation. The Latin term Christus dolens ("suffering Christ") is sometimes used for this depiction.
In another example, a miniature from Hildesheim c. 1160–80, there is no mechanical press and Christ just treads in a small vat which is, for once, circular. He is flanked by figures with banderoles, perhaps Isaiah and John the Evangelist. Christ's banderole has part of Isaiah 63:3, and those of the flanking figures Genesis 49:11 and Numbers ...
One extreme example of redemptive suffering, which existed in the 13th and 14th centuries in Europe, was the Flagellant movement. As a partial response to the Black Death , these radicals, who were later condemned as heretics in the Catholic Church , engaged in body mortification, usually by whipping themselves, to repent for their sins , which ...
Crucifixions and crucifixes have appeared in the arts and popular culture from before the era of the pagan Roman Empire.The crucifixion of Jesus has been depicted in a wide range of religious art since the 4th century CE, frequently including the appearance of mournful onlookers such as the Virgin Mary, Pontius Pilate, and angels, as well as antisemitic depictions portraying Jews as ...
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Often, Christ imagery is associated with a biblical passage or text. In this case, the background illustrates Matthew 8:23-27. [15] In this text, Christ reminds the disciples of their faith, even in moments of struggle and fear. This same narration is shown in Christ Carrying the Cross. Although the storm seems to be raging in the background in ...
In art the Instruments either surrounded an image of Christ in andachtsbilder subjects such as the Man of Sorrows, or might appear by themselves - often the image of Christ's face on the Veil of Veronica was the focal point of the image. In both cases the purpose of the representations was to symbolize the sufferings of Christ during his Passion.