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This double reed instrument, called suona in Chinese, was brought to Havana in the 19th century by Chinese immigrants. It was being used to play traditional Chinese music in the Chinese theaters in Havana's Chinatown, when an Afro-Cuban comparsa named “Los Chinos Buenos” adapted it to use in place of an inspirador ("lead singer").
López, Kathleen M. Chinese Cubans: A Transnational History (2013) López-Calvo, Ignacio (June 2008). Imaging the Chinese in Cuban Literature and Culture. University Press of Florida. ISBN 978-0-8130-3240-5. López-Calvo, Ignacio. “Chinesism and the commodification of Chinese Cuban culture.” Alternative Orientalisms in Latin America and ...
[8] p181 Aside from rural music and Afro-Cuban folk music, the most popular kind of urban Creole dance music in the 19th century was the contradanza, which commenced as a local form of the English country dance and the derivative French contredanse and Spanish contradanza. While many contradanzas were written for dance, from the mid-century ...
Religious traditions of African origin have survived in Cuba, and are the basis of ritual music, song and dance quite distinct from the secular music and dance. The religion of Yoruban origin is known as Lucumí or Regla de Ocha ; the religion of Congolese origin is known as Palo , as in palos del monte . [ 11 ]
This is an accepted version of this page This is the latest accepted revision, reviewed on 12 February 2025. Classified advertisements website Craigslist Inc. Logo used since 1995 Screenshot of the main page on January 26, 2008 Type of business Private Type of site Classifieds, forums Available in English, French, German, Dutch, Spanish, Italian, Portuguese Founded 1995 ; 30 years ago (1995 ...
Chinese industry executives will get a first taste of “Coolie,” a big-budget historical miniseries that focuses on the enslaved Chinese workers in Cuba in the 1860s. MM2 Entertainment is ...
The group started as a vocal quartet, then turned to symphonic rock before going on to explore a fusion between Afro-Cuban music—Cuban roots—and contemporary music. X Alfonso explains: “my music has always revolved around roots and exploration. That’s what I’m always trying to convey; I draw on folklore, on Cuba.”
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