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In many parts of sub-Saharan Africa, the use of music is not limited to entertainment: it serves a purpose to the local community and helps in the conduct of daily routines. Traditional African music supplies appropriate music and dance for work and for religious ceremonies of birth, naming, rites of passage, marriage and funerals. [1]
Zenzile Miriam Makeba was said to have been one of the most influential and popular musicians of Africa, beginning in the 1950s. She was a part of three bands, including one all-woman band and two others. She performed all types of jazz music, traditional African music, and music that was popular in Western Africa at the time.
Welcome to the Southern African Music & Sound Portal.This portal is dedicated to improving the coverage of music and sound from the Southern African region on Wikipedia. Our aim is to create, improve, and maintain articles that reflect the rich musical heritage of countries like South Africa, Botswana, Namibia, Zimbabwe, and others within the regio
Traditional sub-Saharan African harmony is a music theory of harmony in sub-Saharan African music based on the principles of homophonic parallelism (chords based around a leading melody that follow its rhythm and contour), homophonic polyphony (independent parts moving together), counter-melody (secondary melody) and ostinato-variation (variations based on a repeated theme).
There are many styles of traditional and modern music of Ghana, due to Ghana's worldwide geographic position on the African continent. [1] [2] [3] The best known modern genre originating in Ghana is Highlife. [4] For many years, Highlife was the preferred music genre until the introduction of Hiplife and many others. [5] [6]
The people of the North are known for complex percussion instrument music, the one-stringed goje, and a strong praise song vocal tradition.Under Muslim influence since the 14th century, Hausa music uses free-rhythmic improvisation and the Pentatonic scale, similar to other Muslim Sahelian tribes throughout West Africa, such as the Bambara, Kanuri, Fulani and Songhai.
Congolese rumba, also known as African rumba, is a dance music genre originating from the Republic of the Congo (formerly French Congo) and Democratic Republic of the Congo (formerly Zaire). With its rhythms, melodies, and lyrics, Congolese rumba has gained global recognition and remains an integral part of African music heritage.
Perhaps the best known neo-traditional South African music, internationally anyway, is the music of Amampondo and the solo work of their leader and founder, Dizu Plaatjies. He and his group took traditional Xhosa music from the hills of Pondoland and the Eastern Cape and put it on stage worldwide.