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A major feature of the blues scale is the use of blue notes—notes that are played or sung microtonally, at a slightly higher or lower pitch than standard. [5] However, since blue notes are considered alternative inflections, a blues scale may be considered to not fit the traditional definition of a scale. [6]
The blue notes are usually said to be the lowered third, lowered fifth, and lowered seventh scale degrees. [1] [2] [3] The lowered fifth is also known as the raised fourth. [4] Though the blues scale has "an inherent minor tonality, it is commonly 'forced' over major-key chord changes, resulting in a distinctively dissonant conflict of ...
Scales may be described according to the number of different pitch classes they contain: Chromatic, or dodecatonic (12 notes per octave) Nonatonic (9 notes per octave): a chromatic variation of the heptatonic blues scale; Octatonic (8 notes per octave): used in jazz and modern classical music
Blues musical styles, forms (12-bar blues), melodies, and the blues scale have influenced many other genres of music, such as rock and roll, jazz, and popular music. [127] Prominent jazz, folk or rock performers, such as Louis Armstrong, Duke Ellington, Miles Davis, and Bob Dylan have performed significant blues recordings.
The blues scale is so named for its use of blue notes. Since blue notes are alternate inflections, strictly speaking there can be no one blues scale, [8] but the scale most commonly called "the blues scale" comprises the minor pentatonic scale and an additional flat 5th scale degree: C E ♭ F G ♭ G B ♭ C. [9] [10] [11]
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The term blues scale refers to several different scales with differing numbers of pitches and related characteristics. The six-note blues scale consists of the minor pentatonic scale plus a chromatic passing tone between the 4 and 5. This added note can be spelled as either ♭ 5 or ♯ 4. Guitarists often mix the major and minor pentatonics ...
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