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The Via Labicana statue of Augustus. The Via Labicana statue of Augustus, closeup. The Via Labicana Augustus is a sculpture of the Roman emperor Augustus as Pontifex Maximus, with his head veiled for a sacrifice. [1] [2] [3] The statue is dated as having been made after 12 BCE. It was found on slopes of the Oppian Hill, in the Via Labicana, in 1910
Augustus as pontifex maximus (Via Labicana Augustus) <-The pontifex maximus (Latin for "supreme pontiff" [1] [2] [3]) was the chief high priest of the College of Pontiffs (Collegium Pontificum) in ancient Rome. This was the most important position in the ancient Roman religion, open only to patricians until 254 BC, when a plebeian first held ...
A statue of Augustus as pontifex maximus found at a villa of Livia on this road is known as the "Via Labicana type" and is housed at the National Roman Museum. The Roman Emperor Didius Julianus was buried by the fifth milestone on the Via Labicana, after being executed in 193.
Chiesa San Marcellino e Pietro ad Duas Lauros. Santi Marcellino e Pietro ad Duas Lauros is a church in the Prenestino-Labicano quarter of Rome, Italy.Located on the ancient Via Labicana on land once owned by Helena, mother of Constantine, it was along the southern part of the Via Francigena.
Via Labicana Augustus The political evolution of Augustus was promptly reflected in official art, as evidenced by the series of imperial portraits. Typical features of his portraits are the steady eyes, the straight nose, the rather hollowed face, the well-pronounced cheekbones, the thin mouth, and a lock of hair "with a pincer" on the right ...
There is a small group of spectacular imperial engraved gems, cameos carved in contrasting colours of stone.These are sometimes called "State Cameos", [11] that presumably originated, and were probably only seen, in the inner court circle of Augustus, as they show him with divine attributes that were still politically sensitive, and in some cases have sexual aspects that would not have been ...
Augustus's public revenue reforms had a great impact on the subsequent success of the Empire. Augustus brought a far greater portion of the Empire's expanded land base under consistent, direct taxation from Rome, instead of exacting varying, intermittent, and somewhat arbitrary tributes from each local province as Augustus's predecessors had done.
The Palazzo Massimo alle Terme is the main of the four sites of the Roman National Museum, along with the original site of the Baths of Diocletian, which currently houses the epigraphic and protohistoric section, Palazzo Altemps, home to the Renaissance collections of ancient sculpture, and the Crypta Balbi, home to the early medieval collection.