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In semiotics, signified and signifier (French: signifié and signifiant) are the two main components of a sign, where signified is what the sign represents or refers to, known as the "plane of content", and signifier which is the "plane of expression" or the observable aspects of the sign itself.
According to Ferdinand de Saussure (1857–1913), a sign is composed of the signifier [2] (signifiant), and the signified (signifié).These cannot be conceptualized as separate entities but rather as a mapping from significant differences in sound to potential (correct) differential denotation.
Semiotics (/ ˌ s ɛ m i ˈ ɒ t ɪ k s / SEM-ee-OT-iks) is the systematic study of sign processes and the communication of meaning. In semiotics, a sign is defined as anything that communicates intentional and unintentional meaning or feelings to the sign's interpreter. Semiosis is any activity, conduct, or process that involves signs.
Drawing from the original word or definition proposed by Saussure (1857-1913), a sign has two parts: as a signifier, i.e. it will have a form that a person can see, touch, smell, and/or hear, and; as the signified, i.e. it will represent an idea or mental construct of a thing rather than the thing itself.
An interpretant (or interpretant sign) is the sign's more or less clarified meaning or ramification, a kind of form or idea of the difference which the sign's being true or undeceptive would make. (Peirce's sign theory concerns meaning in the broadest sense, including logical implication, not just the meanings of words as properly clarified by ...
The "sign", e.g. a word, is thus the combined association of signifier and signified. The value of a sign can be defined only by being placed in contrast with other signs. This forms the basis of what later became the paradigmatic dimension of semiotic organization (i.e., terms and inventories of terms that stand in opposition to each other).
Daniel Chandler defines the term as "a signifier with a vague, highly variable, unspecifiable or non-existent signified". [4] The concept of floating signifiers originates with Claude Lévi-Strauss, who identified cultural ideas like mana as "represent[ing] an undetermined quantity of signification, in itself void of meaning and thus apt to receive any meaning".
In semiotics, the study of sign processes , the meaning of a sign is its place in a sign relation, in other words, the set of roles that the sign occupies within a given sign relation. This statement holds whether sign is taken to mean a sign type or a sign token. Defined in these global terms, the meaning of a sign is not in general analyzable ...