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"Hallelujah!" is a 1992 song from Handel's Messiah: A Soulful Celebration, a Grammy award winning Reprise Records concept album. The song is a soulful re-interpretation of the "Hallelujah" chorus from Messiah , George Frideric Handel 's well-known oratorio from 1741.
"Outside of Heaven" is a popular music song written by Sammy Gallop and Chester Conn. A recording by Eddie Fisher with Hugo Winterhalter's orchestra and chorus was made at Manhattan Center, New York City, on July 19, 1952, produced by Winterhalter.
Copper engraving of the "Great Galop" of Johann Strauss (1839). Galop rhythm. [1]In dance, the galop, named after the fastest running gait of a horse (see Gallop), a shortened version of the original term galoppade, is a lively country dance, introduced in the late 1820s to Parisian society by the Duchesse de Berry and popular in Vienna, Berlin and London.
The Oxford English Dictionary defines hallelujah as “a song or shout of praise to God,” but biblical scholars will tell you it’s actually a smash-up of two Hebrew words: “hallel” meaning ...
Cale had watched Cohen perform the song and asked Cohen to send him the lyrics. [3] Cohen then faxed Cale 15 pages of lyrics. Cale claims that he "went through and just picked out the cheeky verses." [48] Cale's version forms the basis of most subsequent performances, including Cohen's performances during his 2008–09 world tour.
"Elmer's Tune" is a 1941 big band and jazz standard written by Elmer Albrecht, Dick Jurgens and Sammy Gallop. Glenn Miller and his Orchestra and Dick Jurgens and his Orchestra both charted with recordings of the composition. The Glenn Miller recording on RCA Bluebird Records featuring the lyrics by Sammy Gallop reached no. 1 on Billboard in 1941.
Handel's Messiah: A Soulful Celebration is a gospel album by various artists, released in 1992 on Warner Alliance.Executive produced by Norman Miller, Gail Hamilton and Mervyn Warren, it is a reinterpretation of the 1741 oratorio Messiah by George Frideric Handel, and has been widely praised for its use of multiple genres of African-American music, including spirituals, blues, ragtime, big ...
That Grape Juice called the song "enchanting", adding that "Its minimalism, both from a production and vocal standpoint, allow for the lyrics to both lead and engage". [15] The Source commented that the "spirited redemption song" is "reminiscent of past emotional Alicia Keys ballads that have made her career a legendary one". [ 16 ]