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The word Quipu is derived from a Quechua word meaning 'knot' or 'to knot'. [16] The terms quipu and khipu are simply spelling variations on the same word.Quipu is the traditional spelling based on the Spanish orthography, while khipu reflects the recent Quechuan and Aymaran spelling shift.
The direction of the shadows in photos 280 and 281 of the cremation pits, taken in the West-South-West in relation to the shooting, and the August light, indicate that these photos were taken between 3 and 4 pm. [21] This suggests that it is the same transport photographed before and after the same gassing. [22]
Despite their numbers, and the preservation of more famous and larger carriers as museums, none of these modest ships survive today. Five were lost to enemy action during World War II and the remainder were scrapped. [1] [2] Casablanca was the first class designed from keel up as an escort carrier. It had a larger and more useful hangar deck ...
López used the wet-plate collodion process, making and developing his plates in a portable darkroom. The plates were sensitive to blue light only; his darkroom was an orange tent. This was the first time photography had covered South American warfare and his images became iconic. [27]
The List of ship classes of World War II is an alphabetical list of all ship classes that served in World War II.Only actual classes are included as opposed to unique ships (which are still included if they were the only one of a class to be built, for example, HMS Hood was the first of the four planned Admiral-class battlecruisers, but the other three were cancelled).
The photographs the unit produced were used as the basis for at least two contemporary books: Power In the Pacific – compiled by Steichen to accompany an exhibition by the same title at the Museum of Modern Art [4] The Blue Ghost – a record of Steichen's November 1943 tour on board the USS Lexington. [5]
It was the first Allied unit to provide film of the assault waves landing in Sicily and Normandy, the first to get still pictures from Normandy onto the front pages of the world press, and the only one to produce colour pictures of Operation Overlord. [2] Among its members were: Charles Roos, who was the first Allied cameraman ashore on D-Day.
An appeal to self-interest during World War II, by the United States Office of War Information (restored by Yann) Wait for Me, Daddy , by Claude P. Dettloff (restored by Yann ) Selection on the ramp at Auschwitz-Birkenau at Auschwitz Album , by the Auschwitz Erkennungsdienst (restored by Yann )