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The 'Music' category is merely a guideline on commercialized uses of a particular format, not a technical assessment of its capabilities. For example, MP3 and AAC dominate the personal audio market in terms of market share, though many other formats are comparably well suited to fill this role from a purely technical standpoint.
EBU R 128 is a recommendation for loudness normalisation and maximum level of audio signals. It is primarily followed during audio mixing of television and radio programmes and adopted by broadcasters to measure and control programme loudness. [1]
Sound quality is typically an assessment of the accuracy, fidelity, or intelligibility of audio output from an electronic device. Quality can be measured objectively, such as when tools are used to gauge the accuracy with which the device reproduces an original sound; or it can be measured subjectively, such as when human listeners respond to ...
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A signal strength and readability report is a standardized format for reporting the strength of the radio signal and the readability (quality) of the radiotelephone (voice) or radiotelegraph (Morse code) signal transmitted by another station as received at the reporting station's location and by their radio station equipment. These report ...
TV 6 analog audio can be heard on FM 87.75 on most broadcast radio receivers as well as on a European TV tuned to channel E4A or channel IC, but at lower volume than wideband FM broadcast stations, because of the lower deviation. Channel 1 audio is the same as European Channel E2 audio and the video is the same as European Channel E2A.
FM audio for analog television channel 6 is broadcast at a carrier frequency of 87.75 MHz, and many radios can tune this low; full-power stations ceased analog operations in 2009 under FCC orders, but a very small amount of low-power stations are still operated solely for their right to use this frequency for broadcasting an FM audio carrier ...
HD Radio is licensed so that the simulcast of the main channel is royalty-free. The company makes its money on fees on additional multicast channels. Stations can choose the quality of these additional channels; music stations generally add one or two high-fidelity channels, while others use lower bit rates for voice-only news and sports.