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EBU R 128 is a recommendation for loudness normalisation and maximum level of audio signals. It is primarily followed during audio mixing of television and radio programmes and adopted by broadcasters to measure and control programme loudness. [1]
The 'Music' category is merely a guideline on commercialized uses of a particular format, not a technical assessment of its capabilities. For example, MP3 and AAC dominate the personal audio market in terms of market share, though many other formats are comparably well suited to fill this role from a purely technical standpoint.
Approximate dynamic range and bandwidths of some high-resolution audio formats. High-resolution audio is generally used to refer to music files that have a higher sampling frequency and/or bit depth than that of Compact Disc Digital Audio (CD-DA), which operates at 44.1 kHz/16-bit. [2]
TV 6 analog audio can be heard on FM 87.75 on most broadcast radio receivers as well as on a European TV tuned to channel E4A or channel IC, but at lower volume than wideband FM broadcast stations, because of the lower deviation. Channel 1 audio is the same as European Channel E2 audio and the video is the same as European Channel E2A.
Sound quality is typically an assessment of the accuracy, fidelity, or intelligibility of audio output from an electronic device. Quality can be measured objectively, such as when tools are used to gauge the accuracy with which the device reproduces an original sound; or it can be measured subjectively, such as when human listeners respond to ...
Dynamic range is the difference between the largest and smallest signal a system can record or reproduce. Without dither, the dynamic range correlates to the quantization noise floor. For example, 16-bit integer resolution allows for a dynamic range of about 96 dB.
Wider bandwidth channels are used, which allows radio stations to use higher bit rates, thus providing higher audio quality. A 100 kHz DRM+ channel has sufficient capacity to carry one low-definition 0.7 megabit/s wide mobile TV channel: it would be feasible to distribute mobile TV over DRM+ rather than DMB or DVB-H.
The MPEG-4 audio coding algorithm family spans the range from low bit rate speech encoding (down to 2 kbit/s) to high-quality audio coding (at 64 kbit/s per channel and higher). AAC offers sampling frequencies between 8 kHz and 96 kHz and any number of channels between 1 and 48.