Search results
Results from the WOW.Com Content Network
This is a list of Danish furniture designers. Summary biographies and background on many of the most important players can be found in the Danish modern article which covers Denmark's richest furniture design period.
Rather than plowing through it as quickly as possible, Farina notes that you might make the task more “hygge-like” by making tea, getting your favorite treats, lighting a candle or two and ...
The Brooklyn Museum's 1954 "Design in Scandinavia" exhibition launched "Scandinavian Modern" furniture on the American market. [1]Scandinavian design is a design movement characterized by simplicity, minimalism and functionality that emerged in the early 20th century, and subsequently flourished in the 1950s throughout the five Nordic countries: Denmark, Finland, Norway, Sweden, and Iceland.
Danish modern also known as Scandinavian modern is a style of minimalist furniture and housewares from Denmark associated with the Danish design movement. In the 1920s, Kaare Klint embraced the principles of Bauhaus modernism in furniture design, creating clean, pure lines based on an understanding of classical furniture craftsmanship coupled with careful research into materials, proportions ...
A Welsh dresser is a piece of wooden furniture consisting of drawers and cupboards in the lower part, with shelves and perhaps a sideboard on top. Traditionally, it is a utilitarian piece of furniture used to store and display crockery, silverware and pewter-ware, but is also used to display general ornaments.
Illustration of a hygge situation, with Meik Wiking's The Little Book of Hygge "Hygge" sign in a restaurant in Nørrebro "Hygge" (/ ˈ h (j) uː ɡ ə /, H(Y)OO-gə; Danish:; Norwegian: [ˈhŷɡːə]) is a word in Danish and Norwegian that describes a cozy, contented mood evoked by comfort and conviviality.
Irish dresser from County Carlow (1844) An Irish dresser (Hiberno English), sometimes known as a kitchen dresser, is a piece of wooden Irish vernacular furniture consisting of open storage or cupboards in the lower part, with shelves and a work surface, and a top part for the display of crockery, but also any objects of monetary or sentimental value.
Eastlake's book led to a demand in Eastlake furniture; however, Eastlake himself denied that there was an Eastlake style. This led to furniture manufacturers—who initially thought that Eastlake's ideas would be more harmful than good—to invent their own Eastlake furniture, with it reaching a point that it was "seen everywhere". [3]