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Electronic literature or digital literature is a genre of literature where digital capabilities such as interactivity, multimodality or algorithmic text generation are used aesthetically. [1] Works of electronic literature are usually intended to be read on digital devices, such as computers , tablets , and mobile phones .
Digital Literature in Research and Teaching: A Handbook. Bielefeld: Transcript, 2010. Giovanna Di Rosario. 2011. OLE Officina di Letteratura Elettronica - Lavori del Convegno, Atelier Multimediale edizioni, Napoli; Markku Eskelinen. 2012. Cybertext Poetics: The Critical Landscape of New Media Literary Theory. [28] Hartmut Koenitz et al. 2015.
The Norton Anthology of Theory & Criticism (NATC) is an anthology of literary theory and criticism written in or translated to English that is published by the W. W. Norton & Company, one of several such compendiums. The first edition was published in 2001, with a second edition published in 2010 and a third in 2018.
According to Ulmer, electracy "is to digital media what literacy is to print". [1] It encompasses the broader cultural, institutional, pedagogical, and ideological implications inherent in the major societal transition from print to electronic media. Electracy is a portmanteau of "electricity" and Jacques Derrida's term "trace". [2]
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Hypertext fiction is a genre of electronic literature characterized by the use of hypertext links that provide a new context for non-linearity in literature and reader interaction. The reader typically chooses links to move from one node of text to the next, and in this fashion arranges a story from a deeper pool of potential stories.
The term "distant reading" is generally attributed to Franco Moretti and his 2000 article, Conjectures on World Literature. [1] In the article, Moretti proposed a mode of reading which included works outside of established literary canons, which he variously termed "the great unread" [2] and, elsewhere, "the Slaughterhouse of Literature". [3]
It was the name of a software company in the mid-1980s, [8] and was used by speculative fiction poetry author Bruce Boston as the title of a book he published in 1992, which contained science-fictional poetry. [9] Cybertext is part of what scholars called generational shifts involving literature on digital media.