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Sumitranandan Pant (20 May 1900 – 28 December 1977) [1] was an Indian poet. He was one of the most celebrated 20th century poets of the Hindi language and was known for romanticism in his poems which were inspired by nature, people and beauty within.
Kamayani (Hindi : कामायनी) (1936) is a Hindi epic poem by Jaishankar Prasad (1889–1937). It is considered one of the greatest literary works written in modern times in Hindi literature. It also signifies the epitome of Chhayavadi school of Hindi poetry which gained popularity in the late 19th and early 20th centuries. [1]
In 1967. Those days he was very much impressed & motivated with writing work of "Shri Kaka Hathrasi". In that motivation he wrote few humour poems also. One day he was sharing his poems to one of his friend "Shayar Razaa Amrohi". After listening those poems Amrohiji suggested him to write for Hindi Humor Poetry . This appreciation was the ...
Letters sent by musicians, actors and poets have been shared through the centuries
Gopal Singh Nepali (1911–1963), poet of Hindi literature and lyricist of Bollywood; Gopal Prasad Vyas (1915–2005), poet, known for his humorous poems; Gopaldas Neeraj (born 1924), poet and author; Gulab Khandelwal (born 1924), poetry including some in Urdu and English; Guru Bhakt Singh 'Bhakt' (1893-1983), poet and dramatist
Hasya Kavita is humorous comic poetry in Hindi. It is particularly famous due to Hindi Kavi sammelans and TV shows. [17] [18] [19] Bal kavita is children's rhymes in Hindi. [20] Many attempts have been made to document Hindi poetry. Some of the most comprehensive online collections for Hindi poetry include Kavitakosh [21] and Kavita. [22]
Her most famous composition is Jhansi Ki Rani, an emotionally charged poem describing the life of Rani Lakshmi Bai. [11] The poem is one of the most recited and sung poems in Hindi literature. An emotionally charged description of the life of the queen of Jhansi ( British India ) and her participation in the 1857 revolution , it is often taught ...
Chhayavad (ISO: Chāyāvād) refers to the era of mystical-romanticism in Hindi literature, particularly poetry, spanning approximately from mid-1910s to early-1940s.It emerged as a reaction to the didacticism of its previous poetic movement - the Dwivedi era - as well as the courtly traditions of poetry.