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Rokurokubi (ろくろ首, 轆轤首) is a type of Japanese yōkai (apparition). They look almost completely like humans with some differences. There is a type whose neck stretches and another whose head detaches and flies around freely (nukekubi). The Rokurokubi appear in classical kaidan (spirit tales) and in yōkai works. [1]
An image of futakuchi-onna from the Ehon Hyaku Monogatari. Futakuchi-onna (ふたくちおんな - 二口女, "two-mouthed woman") is a type of yōkai or Japanese monster.She is characterized by her two mouths – a normal one located on her face and a second one on the back of the head beneath the hair.
Nure-onna (濡女, "wet woman") is a Japanese yōkai which resembles a reptilian creature with the head of a woman and the body of a snake. They are also seen as a paranormal phenomenon at sea under the name of nureyomejo. In legends, they are often said to consume humans, but they have no single appearance or personality.
Yuki-onna illustration from Sogi Shokoku Monogatari. Yuki-onna originates from folklores of olden times; in the Muromachi period Sōgi Shokoku Monogatari by the renga poet Sōgi, there is a statement on how he saw a yuki-onna when he was staying in Echigo Province (now Niigata Prefecture), indicating that the legends already existed in the Muromachi period.
A Kuchisake-onna in a scene from Ehon Sayoshigure by Hayami Shungyōsai, 1801. Kuchisake-onna (口裂け女, 'Slit-Mouthed Woman') [1] is a malevolent figure in Japanese urban legends and folklore.
A Japanese chimera with the features of the beasts from the Chinese Zodiac: a rat's head, rabbit ears, ox horns, a horse's mane, a rooster's comb, a sheep's beard, a dragon's neck, a back like that of a boar, a tiger's shoulders and belly, monkey arms, a dog's hindquarters, and a snake's tail. Koto-furunushi
You run and run!" After hearing this, his wife looked back and as was to lie in bed pretending to sleep. His wife became an oni. It had a height of 2.1 meters. He took off his clothes and became a beautiful lady accompanied by a roar like thunder, but half of her body still remained spellbound. The husband was shocked and escaped into the ...
In the Edo Period Japanese dictionary, the Rigen Shūran, there is only the explanation "monster painting by Kohōgen Motonobu." [4] According to the Edo Period writing Kiyū Shōran (嬉遊笑覧), it can be seen that one of the yōkai that it notes is depicted in the Bakemono E (化物絵) drawn by Kōhōgen Motonobu is one by the name of "nurarihyon," [5] and it is also depicted in the ...