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Freud. Ego ideal—Ego—Object—Outer Object. In Freudian psychoanalysis, the ego ideal (German: Ichideal) [1] is the inner image of oneself as one wants to become. [2] It consists of "the individual's conscious and unconscious images of what he would like to be, patterned after certain people whom ... he regards as ideal."
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Theological aesthetics increased in diversity during this period, with activity such as "the composition of hymns in Protestant circles, Edwards' writing on beauty, the Romantic artists and intellectuals with their panentheist sensibilities, Schleiermacher's idea of religion as feeling and intuition, the decline of religious art, and the ground ...
The first principle of beauty Hogarth describes is fitness, which is not in itself a source of beauty, but can be described as a material cause of it. Though the account of fitness on the total beauty of an object is only moderate, it is a necessary cause. Fitness does not necessarily imply purpose.
The structure and the happenings of society shapes one's inner self and it can also be reversed. The process of internalization starts with learning what the norms are, and then the individual goes through a process of understanding why they are of value or why they make sense, until finally they accept the norm as their own viewpoint. [ 2 ]
The challenge to the assumption that beauty was central to art and aesthetics, thought to be original, is actually continuous with older aesthetic theory; Aristotle was the first in the Western tradition to classify "beauty" into types as in his theory of drama, and Kant made a distinction between beauty and the sublime.