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  2. Fleur-de-lis - Wikipedia

    en.wikipedia.org/wiki/Fleur-de-lis

    A silver fleur-de-lis on a blue background is the arms of the Barons Digby. [56] In English and Canadian heraldry the fleur-de-lis is the cadence mark of a sixth son. [57] A fleur-de-lis can also be seen on the flag of Monmouthshire, Wales: Per pale azure and sable three fleurs-de-lys or. [58]

  3. Lisle (textiles) - Wikipedia

    en.wikipedia.org/wiki/Lisle_(textiles)

    These were plied, high-twisted, gassed combed yarns of long-staple cotton. [ 4 ] [ 5 ] Another method of "lisle" was on finishing fabrics, in which hosiery fabric was treated with a weak acid solution like as hydrochloric acid or sulfuric acid , the fabric was then tumble dried without washing at a temperature of a hundred degrees Fahrenheit.

  4. List of fabrics - Wikipedia

    en.wikipedia.org/wiki/List_of_fabrics

    This page was last edited on 11 January 2025, at 20:40 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.

  5. Cotton lisle - Wikipedia

    en.wikipedia.org/wiki/Cotton_lisle

    Lisle (from a former spelling of the French city of Lille) or Fil d'Écosse (French for Scottish thread) is a finely-spun, tightly-twisted type of mercerised cotton that is noted for being strong and durable. Lisle is composed of two strands that have each been twisted an extra twist per inch than ordinary yarns and combined to create a single ...

  6. Cross fleury - Wikipedia

    en.wikipedia.org/wiki/Cross_fleury

    A cross fleury. A cross fleury (or flory) is a cross adorned at the ends with flowers in heraldry. [1] It generally contains the fleur-de-lis, trefoils, etc. Synonyms or minor variants include fleuretty, fleuronny, floriated and flourished.

  7. William Morris textile designs - Wikipedia

    en.wikipedia.org/wiki/William_Morris_textile_designs

    One block was used for each colour of the final fabric, The block was inked by placing into a vat of colorant, and then carefully placed onto the fabric on the table in front of the craftsman. He pounded it with a mallet to impress the colour, then he lifted the block carefully, moved the fabric, re-inked the block, and printed the next section ...

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