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Texture gradient is the distortion in size which closer objects have compared to objects further away. It also involves groups of objects appearing denser as they move further away. It also involves groups of objects appearing denser as they move further away.
The Necker cube is a well-known example; other instances are the Rubin vase and the "squircle", based on Kokichi Sugihara's ambiguous cylinder illusion. [18] Distorting or geometrical-optical illusions are characterized by distortions of size, length, position or curvature. A striking example is the Café wall illusion.
The work of Theodor Lipps, a Munich-based research psychologist, played an important role in the early development of the concept of art psychology in the early decade of the twentieth century. [citation needed] His most important contribution in this respect was his attempt to theorize the question of Einfuehlung or "empathy", a term that was ...
Perspective distortion refers to the manipulation of visual perception through deliberate techniques that create altered or exaggerated views of objects or scenes. This concept has not only shaped art and architecture but has also played a critical role in challenging and expanding the limits of human perception.
The term illusion refers to a specific form of sensory distortion. Unlike a hallucination, which is a distortion in the absence of a stimulus, an illusion describes a misinterpretation of a true sensation. For example, hearing voices regardless of the environment would be a hallucination, whereas hearing voices in the sound of running water (or ...
Attribution (psychology) – Process by which individuals explain causes of behavior and events; Black swan theory – Theory of response to surprise events; Chronostasis – Distortion in the perception of time; Cognitive distortion – Exaggerated or irrational thought pattern; Defence mechanism – Unconscious psychological mechanism
The anamorphic distortion of the source image crucial to the illusion can be understood by likening the images to projections of a 3D object onto a plane (e.g. a sheet of paper) originating from the location of the viewer's eyes. The base of the object meets the plane where the object stands, while the tip of the object is "projected" to a more ...
The word is derived from the Greek prefix ana-, meaning "back" or "again", and the word morphe, meaning "shape" or "form". Extreme anamorphosis has been used by artists to disguise caricatures , erotic and scatological scenes, and other furtive images from a casual spectator, while revealing an undistorted image to the knowledgeable viewer.