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[1] [2] [3] Ink wash painting flourished from the Song dynasty in China (960–1279) onwards, as well as in Japan after it was introduced by Zen Buddhist monks in the 14th century. [4] Some Western scholars divide Chinese painting (including ink wash painting) into three periods: times of representation, times of expression, and historical ...
Splashed-ink Landscape (破墨山水, Haboku sansui) by Sesshū Tōyō, 1495 Sesshu's landscape in hatsuboku style. Haboku (破墨) and Hatsuboku (溌墨) are both painting techniques employed in suiboku (ink-wash painting) in China and Japan, as seen in landscape paintings, involving an abstract simplification of forms and freedom of brushwork.
The classic East Asian tradition of ink wash painting uses black ink in various levels of dilution. Historically associated with the four arts of the scholar-officials , the technique was often applied to landscapes in traditional Chinese , Japanese , and Korean painting .
It is one of the earliest suiboku (ink wash) paintings in Japan and was designated as a National Treasure of Japan in 1951. The painting is accompanied by many inscriptions, and may be considered an example of shigajiku (a "poem-and-painting scroll"). Josetsu was born and trained as an artist in China but settled in Japan.
Haboku sansui (破墨山水図, haboku sansui-zu, Broken Ink Landscape) is a splashed-ink landscape painting on a hanging scroll. It was made by the Japanese artist Sesshū Tōyō in 1495, in the Muromachi period. The ink wash painting is classified as a National Treasure of Japan and currently held by the Tokyo National Museum. [1] [2]
In atmospheric ink paintings on silk, featuring striking portraits of women and exquisite flora and fauna, the artist Kiyohara Yukinobu struck out on a path in the late 17th century that few women ...
Areas of subject matter where Chinese influence has been repeatedly significant include Buddhist religious painting, ink-wash painting of landscapes in the Chinese literati painting tradition, calligraphy of sinograms, [1] and the painting of animals and plants, especially birds and flowers. However, distinctively Japanese traditions have ...
Sesshū Tōyō (雪舟 等楊, c. 1420 – August 26, 1506), also known simply as Sesshū (雪舟), was a Japanese Zen monk and painter who is considered a great master of Japanese ink painting. Initially inspired by Chinese landscapes, Sesshū's work holds a distinctively Japanese style that reflects Zen Buddhist aesthetics. [1]
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