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Masks used in Kyogen theater (狂言面, kyogen-men), worn less frequently than in Noh. Primary types include: Buaku (武悪) - A mask for mischievous servant characters with bulging eyes and wrinkled features; Usofuki (嘘吹き) - Used for supernatural characters, featuring puffed cheeks; Kitsune (狐) - Fox mask used for shape-shifting fox ...
Japanese metal idol band Babymetal refer to the kitsune myth in their lyrics and include the use of fox masks, hand signs, and animation interludes during live shows. [78] Western authors of fiction have also made use of the kitsune legends although not in extensive detail.
Yoshitsune Senbon Zakura (義経千本桜), or Yoshitsune and the Thousand Cherry Trees, is a Japanese play, one of the three most popular and famous in the kabuki repertoire. [a] Originally written in 1747 for the jōruri puppet theater by Takeda Izumo II, Miyoshi Shōraku and Namiki Senryū I, it was adapted to kabuki the following year.
Traditionally in kabuki he would run down the hanamichi, a platform that extends through the audience to the rear of the theater, exiting in a special dance called a kitsune-roppō (狐六法, "fox six-direction steps"), however it has become increasingly popular in recent decades for the special effect of chūnori (宙乗り) to be used: the ...
Kabuki (歌舞伎, かぶき) is a classical form of Japanese theatre, mixing dramatic performance with traditional dance. Kabuki theatre is known for its heavily stylised performances, its glamorous, highly decorated costumes, and for the elaborate kumadori make-up worn by some of its performers. The term kabuki originates from a verb that was ...
Kuzunoha figures in kabuki and bunraku plays based on her legend, including the five-part Ashiya Dōman Ōuchi Kagami (A Courtly Mirror of Ashiya Dōman).The fourth part, Kuzunoha or The White Fox of Shinoda, which is frequently performed independently of the other scenes, focuses on her story, adding minor variations such as the idea that Kuzunoha imitates a princess and is forced to depart ...
Actors in kyōgen, unlike those in Noh, typically do not wear masks, unless the role is that of an animal (such as a tanuki or kitsune), or that of a god. Consequently, the masks of kyōgen are less numerous in variety than Noh masks. Both masks and costumes are simpler than those characteristic of Noh. Few props are used, and minimal or no ...
A kabuki play that was performed in 1835 (Tenpo 6) in Ichimura-za. It depicts a cat that has shapeshifted into an old woman, a cat wearing a napkin and dancing, and the shadow of a cat licking a lamp. [6] "Shōzan Chomon Kishū" by Miyoshi Shōzan. Here, a man who has become suspicious of a cat attempts to kill it because it speaks in human ...
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