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  2. Ich will den Kreuzstab gerne tragen, BWV 56 - Wikipedia

    en.wikipedia.org/wiki/Ich_will_den_Kreuzstab...

    In the first complete recording of Bach's sacred cantatas in historically informed performances with all-male singers and period instruments, conducted by Nikolaus Harnoncourt and Gustav Leonhardt and known as the Teldec series, [61] the Kreuzstab cantata was recorded in 1976 by soloist Michael Schopper, the Knabenchor Hannover and the ...

  3. Erschallet, ihr Lieder, erklinget, ihr Saiten! BWV 172

    en.wikipedia.org/wiki/Erschallet,_ihr_Lieder,_er...

    Online sources. The complete recordings of Bach's cantatas are accompanied by liner notes from musicians and musicologists; John Eliot Gardiner commented on his Bach Cantata Pilgrimage, Tadashi Isoyama wrote for Masaaki Suzuki, and Christoph Wolff for Ton Koopman. Amati-Camperi, Alexandra (2005). "Notes: Bach B Minor Mass". San Francisco Bach ...

  4. St John Passion discography - Wikipedia

    en.wikipedia.org/wiki/St_John_Passion_discography

    Year of the recording; Choir type. Large choirs (red background): Bach (choir dedicated to Bach's music, founded in the mid of the 20th century), Boys (choir of all male voices), Radio (choir of a broadcaster), Symphony (choir related to a symphony orchestra) Medium-size choirs, such as Chamber choir, Chorale (choir dedicated mostly to church ...

  5. Gottes Zeit ist die allerbeste Zeit, BWV 106 - Wikipedia

    en.wikipedia.org/wiki/Gottes_Zeit_ist_die...

    Gottes Zeit ist die allerbeste Zeit (God's time is the very best time), [1] BWV 106, [a] also known as Actus tragicus, is an early sacred cantata composed by Johann Sebastian Bach in Mühlhausen, intended for a funeral. The earliest source for the composition is a copied manuscript dated 1768, therefore the date of the composition is not certain.

  6. Komm, du süße Todesstunde, BWV 161 - Wikipedia

    en.wikipedia.org/wiki/Komm,_du_süße_Todesstunde...

    Online sources. The complete recordings of Bach's cantatas are accompanied by liner notes from musicians and musicologists; Gardiner commented on his Bach Cantata Pilgrimage, Isoyama wrote for Masaaki Suzuki, and Wolff for Ton Koopman. Bischof, Walter F. (2010). "Komm, du süße Todesstunde". University of Alberta

  7. Wir danken dir, Gott, wir danken dir, BWV 29 - Wikipedia

    en.wikipedia.org/wiki/Wir_danken_dir,_Gott,_wir...

    The cantata is one of few sacred Bach cantatas opened by an orchestral sinfonia. Another is the early Weinen, Klagen, Sorgen, Zagen , BWV 12 . The music is an arrangement of the prelude from Bach's Partita for violin , BWV 1006, which Bach had already revised for organ and strings in 1729 for the wedding cantata Herr Gott, Beherrscher aller ...

  8. Gott, man lobet dich in der Stille , BWV 120 - Wikipedia

    en.wikipedia.org/wiki/Gott,_man_lobet_dich_in...

    The first part of the jubilant second movement, a chorus dominated by the full orchestra, was adapted for the Mass in B minor. The soprano aria with solo violin is probably based on an earlier work from Bach's time in Köthen that served as a model also for a movement of a violin sonata BWV 1019a. The tenor recitative is accompanied by strings ...

  9. Erforsche mich, Gott, und erfahre mein Herz , BWV 136

    en.wikipedia.org/wiki/Erforsche_mich,_Gott,_und...

    Bach composed the cantata in 1723 in Leipzig to be used for the eighth Sunday after Trinity. He led the first performance on 18 July 1723. He led the first performance on 18 July 1723. The work is part of Bach's first annual cycle of church cantatas ; he began to compose cantatas for all occasions of the liturgical year when he took up office ...