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The Women of Amphissa is an oil on canvas painting by Sir Lawrence Alma-Tadema, made in 1887. It is held at the Clark Art Institute , in Williamstown . It depicts a group of maenads waking up in the market of Amphissa , after a night of debauchery.
Laura Theresa, Lady Alma-Tadema (née Epps; 16 April 1852 – 15 August 1909) was a British painter specialising in domestic and genre scenes of women and children. Eighteen of her paintings were exhibited at the Royal Academy .
She was active in the Peace Society, the Temperance movement and founded the Darlington Ladies Anti-Slavery Society. In 1853 she married Dr. John Pringle Nichol (1804–1859), Regius Professor of Astronomy at the University of Glasgow. She was one of about six women who were in the painting of the World Anti-Slavery Convention of 1840. [3]
The Robert E. Lee won the race. [191] The steamboat inspired the 1912 song Waiting for the Robert E. Lee by Lewis F. Muir and L. Wolfe Gilbert. [192] In more modern times, the USS Robert E. Lee, a George Washington-class submarine built in 1958, was named for Lee, [193] as was the M3 Lee tank, produced in 1941 and 1942.
Hukilau, oil on canvas painting by Robert Lee Eskridge, c. 1940 Robert Lee Eskridge (November 22, 1891 – April 14, 1975) was an American genre painter, muralist and illustrator. Biography
Black boy with slave collar, Dutch 17th-century painting. Representations of slavery in European art date back to ancient times. They show slaves of varied ethnicity, white as well as black. In Europe, slavery became increasingly associated with blackness from the 17th century onwards. [1] However, slaves before this period were predominantly ...
The Robert E. Lee Monument in Richmond, Virginia, was the first installation on Monument Avenue in 1890, and would ultimately be the last Confederate monument removed from the site. [4] Before its removal on September 8, 2021, [ 5 ] the monument honored Confederate General Robert E. Lee , depicted on a horseback atop a large marble base that ...
Chart of public symbols of the Confederacy and its leaders as surveyed by the Southern Poverty Law Center, by year of establishment [note 1]. Most of the Confederate monuments on public land were built in periods of racial conflict, such as when Jim Crow laws were being introduced in the late 19th century and at the start of the 20th century or during the civil rights movement of the 1950s and ...