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Entrainment in the biomusicological sense refers to the synchronization (e.g., foot tapping) of organisms to an external perceived rhythm such as human music and dance. Humans are the only species for which all individuals experience entrainment, although there are documented examples of entrained nonhuman individuals.
The psychology of dance is the set of mental states associated with dancing and watching others dance. The term names the interdisciplinary academic field that studies those who do. The term names the interdisciplinary academic field that studies those who do.
The psychology of music in the second half of the 20th century has expanded to cover a wide array of theoretical and applied areas. From the 1960s the field grew along with cognitive science , including such research areas as music perception (particularly of pitch, rhythm, harmony, and melody), musical development and aptitude, music ...
Temporal organization of music is commonly referred to as "rhythm". In 1982 the neuroscientist Fraisse claimed that there are mainly two types of time relations that are fundamental to musical temporal organization: (1) "the segmentation of an ongoing sequence into temporal groups" based on the duration values (in musical terms a whole, half ...
Near/Rhythm - combining Time and Weight; Stabile - combining Space and Weight; Labile/Mobile - combining Time and Flow; Full effort, where all 4 motion factors are equally expressed, is usually considered to be a rare and usually momentary occurrence. The states and drives are often discussed as having distinct psychological characteristics.
Rhythm is a strong repeated pattern of movement or sound. When individuals are preparing to tap out a rhythm of regular intervals (1:2 or 1:3) the left frontal cortex, left parietal cortex, and right cerebellum are all activated. With more difficult rhythms such as a 1:2.5, more areas in the cerebral cortex and cerebellum are involved. [16]
In the performance arts, rhythm is the timing of events on a human scale; of musical sounds and silences that occur over time, of the steps of a dance, or the meter of spoken language and poetry. In some performing arts, such as hip hop music, the rhythmic delivery of the lyrics is one of the most important elements of the style.
The dance was "a kind of moving meditation" for her. [14] Christine Ottery, writing in The Guardian in 2011, states that "ecstatic dancing has an image problem" and "encompasses everything from large global movements such as 5Rhythms and Biodanza to local drum'n'dance meet-ups". She suggests that readers may "find 5 Rhythms a good place to ...