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Cabbage Leaf (1931) by Edward Weston. Cabbage Leaf is a black and white photograph taken by Edward Weston in 1931. The picture demonstrates the artist renewed interest in the physical textures of vegetables, seashells and other objects that were the subject of many of his photographs at this time.
Left photo shows a "normal", more accurate color balance, while the right side shows a "vivid" color balance, in-camera effects and no post-production besides black background. Comparison of color versions (raw, natural, white balance) of Mount Sharp (Aeolis Mons) on Mars A white-balanced image of Mount Sharp (Aeolis Mons) on Mars
Scratchboard or scraperboard or scratch art [1] is a form of direct engraving where the artist scratches off dark ink to reveal a white or colored layer beneath. The technique uses sharp knives and tools for engraving into the scratchboard, which is usually cardboard covered in a thin layer of white China clay coated with black India ink.
Example of a monochromatic color scheme Monochromatic color gradient on color wheel. A monochromatic color scheme comprises (tones, tints, and shades) of a single hue.Tints are achieved by adding white, thereby increasing lightness; Shades are achieved by adding black, thereby decreasing lightness; Tones are achieved by adding gray, thereby decreasing colorfulness.
Wallpapers can come plain as "lining paper" to help cover uneven surfaces and minor wall defects, "textured", plain with a regular repeating pattern design, or with a single non-repeating large design carried over a set of sheets. The smallest wallpaper rectangle that can be tiled to form the whole pattern is known as the pattern repeat.
Some of the many variations of ermine spots found in heraldry over the centuries Ermine fur, from the robes of Peter I of Serbia. Ermine (/ ˈ ɜːr m ɪ n /) in heraldry is a fur, a type of tincture, consisting of a white background with a pattern of black shapes representing the winter coat of the stoat (a species of weasel with white fur and a black-tipped tail).
Since the late 1960s, few mainstream films have been shot in black-and-white. The reasons are frequently commercial, as it is difficult to sell a film for television broadcasting if the film is not in color. 1961 was the last year in which the majority of Hollywood films were released in black and white.
Ayón is best known for working mainly in black, white, and shades of gray. In these prints, stark and haunting white figures are dramatically contrasted with dark images and backgrounds. The prints feature both animals — such as snakes, fish, and goats — and human forms, references to art history, and religious iconography. [1]