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The Golden Cockerel (Russian: Золотой петушок, romanized: Zolotoy petushok listen ⓘ) is an opera in three acts, with a short prologue and an even shorter epilogue, composed by Nikolai Rimsky-Korsakov, his last complete opera, before his death in 1908.
Collection of Sacred Musical Compositions by N.A. Rimsky-Korsakov Used at the Imperial Court. Four-Voice Compositions from the Liturgy of St. John Chrysostom, Op. 22, 1883; contains 8 pieces; Collection of Sacred Musical Arrangements by N.A. Rimsky-Korsakov Used at the Imperial Court, Op. 22b, 1884; contains 6 hymns based on chant melodies
Fairy tales and legends: The Snow Maiden, Mlada, Sadko, Kashchey the Deathless, The Tale of Tsar Saltan, The Legend of the Invisible City of Kitezh and the Maiden Fevroniya, and The Golden Cockerel. Of this range, Rimsky-Korsakov wrote in 1902, "In every new work of mine I am trying to do something that is new for me.
Kitezh is arguably Rimsky-Korsakov's finest opera, often being referred to as "the Russian Parsifal; [11] however, it is not part of the standard operatic repertoire outside Russia. Stylistically, it is more representative of Rimsky-Korsakov's work than the better-known The Golden Cockerel. [12]
Pages in category "Operas by Nikolai Rimsky-Korsakov" The following 16 pages are in this category, out of 16 total. ... The Golden Cockerel; K. Kashchey the Deathless; L.
Golden Cockerel Press, an English fine press operating between 1920 and 1961 The Golden Cockerel , an opera by Nikolai Rimsky-Korsakov The Goldener Hahn , a ceremonial goblet in Münster, Germany
Rimsky-Korsakov's music was orchestrated by Miklós Rózsa and (uncredited) Eugene Zador. Themes by Rimsky-Korsakov that are used include: "Song of India" from Sadko (sung by Charles Kullman); Flight of the Bumblebee from The Tale of Tsar Saltan; "Hymn to the Sun" from The Golden Cockerel; Capriccio Espagnol, and Scheherazade. [14]
At this post, he directed the Paris premiere of Rimsky-Korsakov's opera The Golden Cockerel. [6] From 1905 to 1917, he was principal of the conservatory of St. Petersburg, where he taught conducting. In 1918 he was invited to take the post of director of the National Conservatory of Tbilisi, the capital of the Democratic Republic of Georgia.
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