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The French artist Marcel Duchamp paved the way for the conceptualists, providing them with examples of prototypically conceptual works — the readymades, for instance.The most famous of Duchamp's readymades was Fountain (1917), a standard urinal-basin signed by the artist with the pseudonym "R.Mutt", and submitted for inclusion in the annual, un-juried exhibition of the Society of Independent ...
The Moscow Conceptualist, or Russian Conceptualist, artistic and literary movement began with the Sots art of Komar and Melamid in the early 1970s Soviet Union, and continued as a trend in Soviet nonconformist art into the 1980s. It attempted to subvert socialist ideology using the strategies of western conceptual art and appropriation art. [1]
This is a list of art movements in alphabetical order. These terms, helpful for curricula or anthologies , evolved over time to group artists who are often loosely related. Some of these movements were defined by the members themselves, while other terms emerged decades or centuries after the periods in question.
The list is full of examples of this art style and movement that were created by artists from all around the world. So, check them out; maybe it will convince you to become a surrealism enthusiast.
Conceptual Artists are artists working with ideas rather than any specific medium. For more information, see Conceptual art . Wikimedia Commons has media related to Conceptual artists .
An art movement is a tendency or style in art with a specific art philosophy or goal, followed by a group of artists during a specific period of time, (usually a few months, years or decades) or, at least, with the heyday of the movement defined within a number of years.
An art movement is a tendency or style in the visual arts with a specific common stylistic approach, philosophy or goal, followed by a group of artists during a restricted period of time. See also: Category:Art by period of creation
The idea of neo-conceptual art (sometimes later termed post-conceptual art) in the United States was clearly articulated by Tricia Collins and Richard Milazzo (working as a team called Collins & Milazzo) in the early and mid 1980s in New York City, [1] when they brought to prominence a whole new generation of artists through their copious writings and curatorial activity. [2]