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The Lyapunov time mirrors the limits of the predictability of the system. By convention, it is defined as the time for the distance between nearby trajectories of the system to increase by a factor of e. However, measures in terms of 2-foldings and 10-foldings are sometimes found, since they correspond to the loss of one bit of information or ...
In 1930 O. Perron constructed an example of a second-order system, where the first approximation has negative Lyapunov exponents along a zero solution of the original system but, at the same time, this zero solution of the original nonlinear system is Lyapunov unstable. Furthermore, in a certain neighborhood of this zero solution almost all ...
Most time signatures consist of two numerals, one stacked above the other: The lower numeral indicates the note value that the signature is counting. This number is always a power of 2 (unless the time signature is irrational), usually 2, 4 or 8, but less often 16 is also used, usually in Baroque music. 2 corresponds to the half note (minim), 4 to the quarter note (crotchet), 8 to the eighth ...
Lyapunov fractal, bifurcational fractals derived from an extension of the logistic map in which the degree of the growth of the population periodically switches between two values; Lyapunov time, characteristic timescale on which a dynamical system is chaotic; Probability theory, the branch of mathematics concerned with probability
The planets' orbits are chaotic over longer time scales, in such a way that the whole Solar System possesses a Lyapunov time in the range of 2~230 million years. [3] In all cases, this means that the positions of individual planets along their orbits ultimately become impossible to predict with any certainty.
This is a list of musical compositions or pieces of music that have unusual time signatures. "Unusual" is here defined to be any time signature other than simple time signatures with top numerals of 2, 3, or 4 and bottom numerals of 2, 4, or 8, and compound time signatures with top numerals of 6, 9, or 12 and bottom numerals 4, 8, or 16.
A technique in which a rhythmic pattern is superposed on another, heterometrically, and then supersedes it and becomes the basic metre. Usually, such time signatures are mutually prime, e.g., 4 4 and 3 8, and so have no common divisors. Thus the change of the basic metre decisively alters the numerical content of the beat, but the minimal ...
The song is known for its distinct time signatures and corresponding lyrical patterns. The time signatures of the chorus of the song change from 9/8 to 8/8 to 7/8; as drummer Danny Carey says, "It was originally titled 9-8-7. For the time signatures. Then it turned out that 987 was the 16th number of the Fibonacci sequence. So that was cool." [2]